{"title":"At The Centre: Exhibition Collection","description":"","products":[{"product_id":"margaret-ngwarraye-long-arnkerrth-360-25","title":"Margaret Kngwarraye Long | Arnkerrth 360-25","description":"\u003cp\u003e\u003cem\u003e\"Arnkerrth is one dreaming on my Country. My mother's dreaming. She's been painting the mountain devil for a long time. The mountain devil moves all around Alhalkere and Atnangkere. She's carrying her swag on her back.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– \u003c\/em\u003eMargaret Kngwarraye Long\u003c\/p\u003e\n\u003cp\u003eAbout the artist:\u003c\/p\u003e\n\u003cp\u003e\"Amaroo old station. That’s where I was born. Where I grew up. I used to go to Utopia Homestead school when I was a young girl. A long time ago.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMy father was working doing station work. Mustering for tucker. No money. We moved all over. Queensland and Northern Territory side. Argadargada Station, Waite River Station, Lake Nash, Mount Skinner. Everywhere. My father’s working. We went and sat down all the ladies and young girls. We were sitting down at Waite River and Argadargada for a long time.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHunting in the Eugene River. My family were learning me. Learning to ride horse too. Atnangker country we used to go with my aunties. Gloria, Kathleen, Violet. I was watching them doing painting. Making canvas and batik. We were working there at Utopia Homestead all together. When I was young. Batik first then painting now.\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e– Margaret Kngwarraye Long\u003c\/p\u003e","brand":"Utopia Art Centre","offers":[{"title":"Default Title","offer_id":51145747497258,"sku":null,"price":2700.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/360-25_Margaret_Long.jpg?v=1772596519"},{"product_id":"margaret-ngwarraye-long-arnkerrth-361-25","title":"Margaret Kngwarraye Long | Arnkerrth 361-25","description":"\u003cp\u003e\u003cem\u003e\"Arnkerrth is one dreaming on my Country. My mother's dreaming. She's been painting the mountain devil for a long time. The mountain devil moves all around Alhalkere and Atnangkere. She's carrying her swag on her back.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– \u003c\/em\u003eMargaret Kngwarraye Long\u003c\/p\u003e\n\u003cp\u003eAbout the artist:\u003c\/p\u003e\n\u003cp\u003e\"Amaroo old station. That’s where I was born. Where I grew up. I used to go to Utopia Homestead school when I was a young girl. A long time ago.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMy father was working doing station work. Mustering for tucker. No money. We moved all over. Queensland and Northern Territory side. Argadargada Station, Waite River Station, Lake Nash, Mount Skinner. Everywhere. My father’s working. We went and sat down all the ladies and young girls. We were sitting down at Waite River and Argadargada for a long time.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHunting in the Eugene River. My family were learning me. Learning to ride horse too. Atnangker country we used to go with my aunties. Gloria, Kathleen, Violet. I was watching them doing painting. Making canvas and batik. We were working there at Utopia Homestead all together. When I was young. Batik first then painting now.\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e– Margaret Kngwarraye Long\u003c\/p\u003e","brand":"Utopia Art Centre","offers":[{"title":"Default Title","offer_id":51145748971818,"sku":null,"price":1400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/361-25_Margaret_Ngwarraye_Long.jpg?v=1772596511"},{"product_id":"doris-bush-nungarrayi-untitled-618-25","title":"Doris Bush Nungarrayi | Nyumanu Story 631-25","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis work is from Doris Bush Nungarrayi's series \u003cem\u003eKanyintjaku Tjukurrpa (Holding Story).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDoris Bush will have you to sit beside them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShe may talk of marriage and her late husband Kumantjayi Tjangala , she may gesture the journey to Nyunmanu, an outstation nearer the WA border.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere is a word “\u003cem\u003eTjkurrmananyi\u003c\/em\u003e” meaning dreaming a dream and It is with mastery and elegance Doris navigates such a realm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDoris’s way contemplates memory, relationships, real experience, a sincerity for their culture and from there what manifests seems to be an infinite story.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWithin the artists fixation towards Nyumanu she has invented a pictorial language so confident and sophisticated it functions like gospel.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis series is a romance, an introduction to a limitless body of work, a worship of connection, place, family and Papa Tjukurrpa.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDoris weaves stories through her painting with imagery which represents stories from her life and the life of her family. Her mark making is flowing and instinctual, showing waterholes, root systems of trees and bush tucker, stories of goannas and snakes hunting each other and being hunted for tucker.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHer stories depict Nyunmanu, a Dingo Dreaming site just to the south east of the remote Aboriginal community of Kintore in the Northern Territory. Most of the dingoes and their pups from this place rose up into the sky and became stars. However, the ancestral mother Dingo and her pup had gone out hunting and were too tired to rise up, so they turned into a large rock that marks the place of this sacred Dreaming.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt is said that if you sleep in this place you will dream of the ancestral dingo puppies. The story goes that if you\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eremove one of the gleaming stones found at Nyunmanu, the puppies will haunt your dreams until you return it to the place where it belongs. The custodians of this Tjukurrpa are Nungarrayi, Tjungarrayi, Napaltjarri and Tjapaltjarri women and men.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe circles in this story often represent important waterholes. The roundels extending from the circles are the designs the women paint on their breasts during ceremony.\u003c\/p\u003e\n\u003cp\u003eAbout the artist:\u003c\/p\u003e\n\u003cp\u003eDoris Bush was born in Haasts Bluff\/Ikuntji circa 1942 and was married to the late George Bush Tjangala, one of Papunya Tula Artists’ original shareholders. In the mid 1980’s the family went to live on an outstation at Nyunmanu in Doris’ mother’s country out towards the WA\/NT border. Doris continues to paint Nyunmanu and the traditional Tjukurrpa (Dreaming) of this place, Dingo Dreaming.\u003c\/p\u003e\n\u003cp\u003eDoris also paints vivid memories, stories and dreams from her life, with her work often telling happy stories from her early days in Ikuntji; eating, hunting and swimming with her friends and family in the bush. Doris’ works embody her nature of a true storyteller with her expressive style, bold use of colour and recognisable motifs. Doris is renowned as one of the most prolific and enthusiastic artists in the community and is usually the first to arrive each morning when - or even before - the doors open.\u003c\/p\u003e\n\u003cp\u003eShe is the Winner of 2023 Sulman Prize and is a finalist for the 2023 Wynne Prize, 2020 National Aboriginal and Torres Strait Islander Art Awards, Bayside Acquisitive Art Prize (2019) and shortlisted in the Alice Art Prize (2018). Her work is held in the Artbank Collection, Macquarie Bank Collection, AGNSW, University of Western Sydney Collection, The Hassall Collection and private collections.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAbout Papunya Tjupi Arts:\u003c\/p\u003e\n\u003cp\u003ePapunya Tjupi Arts is an Aboriginal owned, community-based enterprise, representing over 100 artists. We encourage the sharing of knowledge and skills to foster self-determination and cultural development. This is done through arts practice, community activities, meaningful employment and training opportunities. All proceeds are split between the artists and the funding of further community projects. \u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51234735456554,"sku":null,"price":12500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Doris_631-25.jpg?v=1773376619"},{"product_id":"daisy-kemarre-turner-irrultja-my-country-347-25","title":"Daisy Kemarre Turner | Irrultja, My Country 347-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAmpilatwatja's paintings pay homage to the significance and use of traditional bush medicine, allowing an insight into their community. They depict the traditional knowledge of dreaming and country through the translation of waterholes and soaks, bush medicines, mountains and sand hills.\u003c\/p\u003e\n\u003cp\u003eThey predominantly paint \u003cem\u003eArreth\u003c\/em\u003e (strong bush medicine), demonstrating our deep connection to country. A veritable source of life, the land has provided and sustained Alyawarr people for generations, as every plant and animal has a vital role to play within the ecological system.\u003c\/p\u003e\n\u003cp\u003eUnderneath the surface of the paintings there is an underlying sense that there is more to these landscapes than meets the eye. In keeping with the religious laws, the artists reveal only a small amount of knowledge to the uninitiated. The esoteric information that is held sacred to their artists and people is concealed from the public and layered underneath the common visual narrative, masked by the delicate layered dots of the painting.\u003c\/p\u003e\n\u003cp\u003eArtists of Ampilatwatja art centre is a place where women across all generations can gather and pass on knowledge, share stories and practice and develop our art, while men carve and make wooden artefacts.\u003c\/p\u003e\n\u003cp\u003e\"Our art centre helps keep our culture strong.\"\u003c\/p\u003e\n\u003cp\u003eText courtesy of Artists of Ampiltwatja.\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51242461593898,"sku":null,"price":3100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Daisy_Kemarre_Turner_347-25.jpg?v=1777528181"},{"product_id":"denise-ngwarraye-bonney-tijamburra-my-grandmothers-country-459-25","title":"Denise Ngwarraye Bonney | Tijamburra, My Grandmothers Country 459-25","description":"\u003cp\u003e\u003cem\u003e\"This is my Mothers Mothers country, out near Canteen Creek, we go hunting for wild onions, goannas, echidnas and sugar bag honey in the trees. I like to hunt in my country, there is water all year round even if it looks dry, we follow the bird tracks to know where to dig and then we find water.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eThis painting is after rain, many grasses are out, but the riverbed is still sandy.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAmpilatwatja's paintings pay homage to the significance and use of traditional bush medicine, allowing an insight into their community. They depict the traditional knowledge of dreaming and country through the translation of waterholes and soaks, bush medicines, mountains and sand hills.\u003c\/p\u003e\n\u003cp\u003eThey predominantly paint \u003cem\u003eArreth\u003c\/em\u003e (strong bush medicine), demonstrating our deep connection to country. A veritable source of life, the land has provided and sustained Alyawarr people for generations, as every plant and animal has a vital role to play within the ecological system.\u003c\/p\u003e\n\u003cp\u003eUnderneath the surface of the paintings there is an underlying sense that there is more to these landscapes than meets the eye. In keeping with the religious laws, the artists reveal only a small amount of knowledge to the uninitiated. The esoteric information that is held sacred to their artists and people is concealed from the public and layered underneath the common visual narrative, masked by the delicate layered dots of the painting.\u003c\/p\u003e\n\u003cp\u003eArtists of Ampilatwatja art centre is a place where women across all generations can gather and pass on knowledge, share stories and practice and develop our art, while men carve and make wooden artefacts.\u003c\/p\u003e\n\u003cp\u003e\"Our art centre helps keep our culture strong.\"\u003c\/p\u003e\n\u003cp\u003eText courtesy of Artists of Ampiltwatja.\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51242463691050,"sku":null,"price":3460.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Denise_Ngwarraye_Bonney_459-25.jpg?v=1777528188"},{"product_id":"dianne-kemarre-ross-my-country-413-25","title":"Dianne Kemarre Ross | My Country 413-25","description":"\u003cp\u003e\u003cem\u003e\"This is my country, it's the country around Irrultja. This is where we like to go after big rain. After big rain there, we can go swimming. There is always good hunting on my country. It is good for me to paint my country and it makes me feel good.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAmpilatwatja's paintings pay homage to the significance and use of traditional bush medicine, allowing an insight into their community. They depict the traditional knowledge of dreaming and country through the translation of waterholes and soaks, bush medicines, mountains and sand hills.\u003c\/p\u003e\n\u003cp\u003eThey predominantly paint \u003cem\u003eArreth\u003c\/em\u003e (strong bush medicine), demonstrating our deep connection to country. A veritable source of life, the land has provided and sustained Alyawarr people for generations, as every plant and animal has a vital role to play within the ecological system.\u003c\/p\u003e\n\u003cp\u003eUnderneath the surface of the paintings there is an underlying sense that there is more to these landscapes than meets the eye. In keeping with the religious laws, the artists reveal only a small amount of knowledge to the uninitiated. The esoteric information that is held sacred to their artists and people is concealed from the public and layered underneath the common visual narrative, masked by the delicate layered dots of the painting.\u003c\/p\u003e\n\u003cp\u003eArtists of Ampilatwatja art centre is a place where women across all generations can gather and pass on knowledge, share stories and practice and develop our art, while men carve and make wooden artefacts.\u003c\/p\u003e\n\u003cp\u003e\"Our art centre helps keep our culture strong.\"\u003c\/p\u003e\n\u003cp\u003eText courtesy of Artists of Ampiltwatja.\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51242464215338,"sku":null,"price":3100.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Dianne_Kemarre_Ross_413-25.jpg?v=1777528183"},{"product_id":"julieanne-ngwarraye-morton-my-country-my-bush-medicine-447-25","title":"Julieanne Ngwarraye Morton | My Country, My Bush Medicine 447-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAmpilatwatja's paintings pay homage to the significance and use of traditional bush medicine, allowing an insight into their community. They depict the traditional knowledge of dreaming and country through the translation of waterholes and soaks, bush medicines, mountains and sand hills.\u003c\/p\u003e\n\u003cp\u003eThey predominantly paint \u003cem\u003eArreth\u003c\/em\u003e (strong bush medicine), demonstrating our deep connection to country. A veritable source of life, the land has provided and sustained Alyawarr people for generations, as every plant and animal has a vital role to play within the ecological system.\u003c\/p\u003e\n\u003cp\u003eUnderneath the surface of the paintings there is an underlying sense that there is more to these landscapes than meets the eye. In keeping with the religious laws, the artists reveal only a small amount of knowledge to the uninitiated. The esoteric information that is held sacred to their artists and people is concealed from the public and layered underneath the common visual narrative, masked by the delicate layered dots of the painting.\u003c\/p\u003e\n\u003cp\u003eArtists of Ampilatwatja art centre is a place where women across all generations can gather and pass on knowledge, share stories and practice and develop our art, while men carve and make wooden artefacts.\u003c\/p\u003e\n\u003cp\u003e\"Our art centre helps keep our culture strong.\"\u003c\/p\u003e\n\u003cp\u003eText courtesy of Artists of Ampiltwatja.\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51242464706858,"sku":null,"price":2030.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Julieanne_Ngwarraye_Morton_447-25.jpg?v=1777528187"},{"product_id":"rosie-kemarre-morton-my-fathers-country-and-bush-medicine-363-25","title":"Rosie Kemarre Morton | My Father's Country and Bush Medicine 363-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAmpilatwatja's paintings pay homage to the significance and use of traditional bush medicine, allowing an insight into their community. They depict the traditional knowledge of dreaming and country through the translation of waterholes and soaks, bush medicines, mountains and sand hills.\u003c\/p\u003e\n\u003cp\u003eThey predominantly paint \u003cem\u003eArreth\u003c\/em\u003e (strong bush medicine), demonstrating our deep connection to country. A veritable source of life, the land has provided and sustained Alyawarr people for generations, as every plant and animal has a vital role to play within the ecological system.\u003c\/p\u003e\n\u003cp\u003eUnderneath the surface of the paintings there is an underlying sense that there is more to these landscapes than meets the eye. In keeping with the religious laws, the artists reveal only a small amount of knowledge to the uninitiated. The esoteric information that is held sacred to their artists and people is concealed from the public and layered underneath the common visual narrative, masked by the delicate layered dots of the painting.\u003c\/p\u003e\n\u003cp\u003eArtists of Ampilatwatja art centre is a place where women across all generations can gather and pass on knowledge, share stories and practice and develop our art, while men carve and make wooden artefacts.\u003c\/p\u003e\n\u003cp\u003e\"Our art centre helps keep our culture strong.\"\u003c\/p\u003e\n\u003cp\u003eText courtesy of Artists of Ampiltwatja.\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51242466738474,"sku":null,"price":2100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Rosie_Kemarre_Morton_363-25.jpg?v=1777528182"},{"product_id":"sandra-pula-teece-bush-medicine-plants-401-25","title":"Sandra Pula Teece | Bush Medicine Plants 401-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAmpilatwatja's paintings pay homage to the significance and use of traditional bush medicine, allowing an insight into their community. They depict the traditional knowledge of dreaming and country through the translation of waterholes and soaks, bush medicines, mountains and sand hills.\u003c\/p\u003e\n\u003cp\u003eThey predominantly paint \u003cem\u003eArreth\u003c\/em\u003e (strong bush medicine), demonstrating our deep connection to country. A veritable source of life, the land has provided and sustained Alyawarr people for generations, as every plant and animal has a vital role to play within the ecological system.\u003c\/p\u003e\n\u003cp\u003eUnderneath the surface of the paintings there is an underlying sense that there is more to these landscapes than meets the eye. In keeping with the religious laws, the artists reveal only a small amount of knowledge to the uninitiated. The esoteric information that is held sacred to their artists and people is concealed from the public and layered underneath the common visual narrative, masked by the delicate layered dots of the painting.\u003c\/p\u003e\n\u003cp\u003eArtists of Ampilatwatja art centre is a place where women across all generations can gather and pass on knowledge, share stories and practice and develop our art, while men carve and make wooden artefacts.\u003c\/p\u003e\n\u003cp\u003e\"Our art centre helps keep our culture strong.\"\u003c\/p\u003e\n\u003cp\u003eText courtesy of Artists of Ampiltwatja.\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51242468868394,"sku":null,"price":1640.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Sandra_Pula_Teece_401-25.jpg?v=1777528183"},{"product_id":"susan-ngwarraye-philomac-spring-creek-435-25","title":"Teleisha Pula Ross | My View of Country 383-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAmpilatwatja's paintings pay homage to the significance and use of traditional bush medicine, allowing an insight into their community. They depict the traditional knowledge of dreaming and country through the translation of waterholes and soaks, bush medicines, mountains and sand hills.\u003c\/p\u003e\n\u003cp\u003eThey predominantly paint \u003cem\u003eArreth\u003c\/em\u003e (strong bush medicine), demonstrating our deep connection to country. A veritable source of life, the land has provided and sustained Alyawarr people for generations, as every plant and animal has a vital role to play within the ecological system.\u003c\/p\u003e\n\u003cp\u003eUnderneath the surface of the paintings there is an underlying sense that there is more to these landscapes than meets the eye. In keeping with the religious laws, the artists reveal only a small amount of knowledge to the uninitiated. The esoteric information that is held sacred to their artists and people is concealed from the public and layered underneath the common visual narrative, masked by the delicate layered dots of the painting.\u003c\/p\u003e\n\u003cp\u003eArtists of Ampilatwatja art centre is a place where women across all generations can gather and pass on knowledge, share stories and practice and develop our art, while men carve and make wooden artefacts.\u003c\/p\u003e\n\u003cp\u003e\"Our art centre helps keep our culture strong.\"\u003c\/p\u003e\n\u003cp\u003eText courtesy of Artists of Ampiltwatja.\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51242469523754,"sku":null,"price":2660.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Teleisha_Pula_Ross_383-25.jpg?v=1777528185"},{"product_id":"susan-ngwarraye-philomac-spring-creek-435-26","title":"Susan Ngwarraye Philomac | Spring Creek 435-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAmpilatwatja's paintings pay homage to the significance and use of traditional bush medicine, allowing an insight into their community. They depict the traditional knowledge of dreaming and country through the translation of waterholes and soaks, bush medicines, mountains and sand hills.\u003c\/p\u003e\n\u003cp\u003eThey predominantly paint \u003cem\u003eArreth\u003c\/em\u003e (strong bush medicine), demonstrating our deep connection to country. A veritable source of life, the land has provided and sustained Alyawarr people for generations, as every plant and animal has a vital role to play within the ecological system.\u003c\/p\u003e\n\u003cp\u003eUnderneath the surface of the paintings there is an underlying sense that there is more to these landscapes than meets the eye. In keeping with the religious laws, the artists reveal only a small amount of knowledge to the uninitiated. The esoteric information that is held sacred to their artists and people is concealed from the public and layered underneath the common visual narrative, masked by the delicate layered dots of the painting.\u003c\/p\u003e\n\u003cp\u003eArtists of Ampilatwatja art centre is a place where women across all generations can gather and pass on knowledge, share stories and practice and develop our art, while men carve and make wooden artefacts.\u003c\/p\u003e\n\u003cp\u003e\"Our art centre helps keep our culture strong.\"\u003c\/p\u003e\n\u003cp\u003eText courtesy of Artists of Ampiltwatja.\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51242472571178,"sku":null,"price":1640.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Susan_Ngwarraye_Philomac_435-25.jpg?v=1777528180"},{"product_id":"roxanne-connolly-tangki-donkey-2101-25","title":"Roxanne Connolly | Tangki (donkey) 2101-25","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRoxanne Connolly is a young emerging artist based in the remote community of Kaltukatjara (Docker River) in the Northern Territory.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRoxanne joined her first skills and development workshop in 2025. She quickly demonstrated a natural affinity for sculpture, confidently working with materials to create a distinctive and ambitious piece - a tangki (donkey) with a rider. The work has since been exhibited at Brunswick Street Gallery in Melbourne.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51481865421098,"sku":null,"price":396.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Tangki_donkey_2101-25RoxanneConnolly.jpg?v=1777511235"},{"product_id":"tanya-bulla-tjulpu-bird836-25","title":"Tanya Bulla | Tjulpu (bird) 836-25","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTanya Bulla is an emerging artist based in the remote community of Imanpa, Northern Territory.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTanya first began weaving at a Tjanpi skills development workshop in 2022. Since then, she has continued to refine her sculptural practice, focusing on tjilkamarta (echidnas), tjulpu (birds), and papa (dogs), each rendered with character and care.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTanya is presenting a tjulpu sculpture at Brunswick Street Gallery in Melbourne - marking her first exhibition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51481918112042,"sku":null,"price":297.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Tjulpu_bird_836-25TanyaBulla_1ffcbb9a-44ad-4bb0-b2d7-38bb4aa87a48.jpg?v=1777511962"},{"product_id":"yanyangkari-roma-butler-tjulpu-bird-1666-24","title":"Yanyangkari Roma Butler | Tjulpu (bird) 1666-24","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYanyangkari Roma Butler is a weaver belonging to the Pitjantjatjara language and cultural group. She was born in 1959 at Wilu Rockhole, on the kanyala tjukurpa track near Amata in South Australia. Yanyangkari spent her early years at Ernabella Mission and then travelled by camel to Milyirrtjarra (Warburton) in Western Australia where she went to school. She then lived in Irrunytju (Wingellina) before relocating to Warakurna, WA, where she resides today.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA joyous woman of many talents, Yanyangkari is a wonderful storyteller, keen hunter and knowledge holder, and loves to work with young women to teach and maintain culture. Yanyangkari is an award-winning Tjanpi sculptural artist, and her Tjanpi artworks are recognisable by their dynamism and character, quirky details, and inventive stitching. Her works were included in the 56th International Art Exhibition at the Venice Biennale in 2015 as part of Kuka Irititja for the Fiona Hall exhibition Wrong Way Time in the Australia Pavilion. Roma and the Tjanpi artists in this exhibition made animals from the desert region that are endangered or extinct.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYanyangkari was also a finalist in the 2015 Woollahra Small Sculpture Prize, and was the winner of Best Sculptural Work in the 2018 Hedland Art Award for her sculpture, Nyukali. In 2020 Yanyangkari was involved in the National Gallery of Australia’s commissioned work, Kungkarangkalpa (Seven Sisters), a key work featured in Know My Name: Australian Women Artists 1900 to Now, an exhibition celebrating women artists from across the country. Yanyangkari's meticulously woven self portrait, Ngayulu Munu Ngayuku Papa (Me and My Dogs) was a finalist in the prestigious 2021 Telstra National Aboriginal and Torres Strait Islander Art Awards. The life-sized sculpture celebrates the love, companionship and joy shared between Yanyangkari and her beloved papas.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 2021, Tjanpi Desert Weavers released \u003cem\u003eKukaputju (The Hunter),\u003c\/em\u003e a short animation film, of which Yanyangkari was the Cultural Director, Storyteller and one of 16 prop artists. Kukaputju combines the art forms of Tjanpi fibre sculpture, stop-motion animation and oral storytelling to bring to the screen a glimpse into the everyday life of Yanyangkari. The film, one of four, arose from Tjanpi’s artist-led imperative to explore different ways to tell and share stories through Tjanpi artwork.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e'Iriti mulapa ngaya tjuta para-ngarangi Australia-la. Munu tjana tjulpu tjuta, tjati tjuta, ninu tjuta, kutjupa-kutjupa tjuta kulu ngalkupai.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003ePanya kuwari ninu tjuta, tjakura tjuta wiyaringu, ka nganana putu ngurini. Iriti panya Anangu tjutangku ngalkupai. Ngaya tjuta putu ngurintjaku munu mantjintjaku. Palu ngaya tjuta kuka wirunya.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCats have roamed around Australia for a long time. They feed on birds, lizards, bilbies and other animals too. We can’t find bilbies or great desert skinks now. In the old days Anangu used to eat cats. Cats are usually really hard to find and catch. But they taste lovely.' \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e- Yanyangkari Roma Butler\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYanyangkari is an important senior law-woman and is an expert storyteller in various forms of art and media. She was instrumental in setting up Ngaanyatjarra Media and was one of the first Aṉangu camerawomen, working on many documentaries, including Minyma and Maku.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51482099646762,"sku":null,"price":495.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Tjulpu_bird_1666-24YanyangkariRomaButler_690dd87e-2d62-4f08-a452-edb9ba12df18.jpg?v=1777513288"},{"product_id":"sylvanna-kenny-tinka-lizard-1791-25","title":"Sylvanna Kenny | Tinka (lizard) 1791-25","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSylvanna Kenny is an Aranda artist who lives in the remote community of Pukatja (Ernabella) in South Australia.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSylvanna spent her school years in Mparntwe (Alice Springs) but has called Pukatja home for many years. A multi-talented artist, Sylvanna learned to weave Tjanpi as a young woman from her mother and other senior women in Pipalyatjara, including Mrs Atira Atira and Mrs Kenta whom she said was a wonderful and encouraging teacher, also teaching her punu skills. Today, she’s passing on those skills to her own daughter and other young women in Pukatja. Sylvanna is known for her strong, beautifully constructed baskets, and is also skilled in beaded jewellery and punu (wood carving).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“\u003cem\u003eI make my own at home,\u003c\/em\u003e” she says. “\u003cem\u003eThe ladies are really good teachers.\u003c\/em\u003e”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSylvanna speaks fluent Arrernte, Loritja, Pitjantjatjara as well as English and is an incredibly busy and hardworking woman in community, working across various fields and local organisations, including within the Tjungu team at NPY Women’s Council, and with Tjanpi during community projects.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51482099941674,"sku":null,"price":330.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Tinka_lizard_1791-25SylvannaKennySylvannaKenny_5f6cb3ea-c907-4698-b9da-a4c2ab2016b7.jpg?v=1777513607"},{"product_id":"dianne-ungukalpi-golding-papa-dog-1660-24","title":"Dianne Ungukalpi Golding | Papa (dog) 1660-24","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDianne Ungukalpi Golding is an artist belonging to the Ngaanyatjarra language and cultural group, and lives in the remote community of Warakurna in Western Australia with her family.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDianne has made baskets for a number of years and first learnt from relatives in Warakurna. She enjoys experimenting with different shapes and says: “Some long like piti (traditional wood dish), some round like the Sun.” She has since made a number of sculptural pieces drawing inspiration from the animals prevalent on the Ngaanyatjarra Lands, whether they be papas (the camp dogs in the community) or tinkas (goannas), tjilkamarta (echidna), or rabbits hunted out bush.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDianne exhibited her first sculptural piece, a large kamula (camel), at Desert Mob 2006 in Mparntwe (Alice Springs) in the Northern Territory. She has then exhibited her fibre artwork with Tjanpi Desert Weavers every year since 2012. Notable amongst these exhibitions is String Theory at the Museum of Contemporary Art in Sydney, NSW, in 2013; Desert Mob 2015 and 2016 in Mparntwe, NT; Flight at FORM Gallery in Perth, WA, in 2017; the Biennale of Australian Art in Ballarat, VIC, in 2019; and Revealed: Emerging Indigenous Artists of WA at the Fremantle Arts Centre in Fremantle, WA in 2018 and 2020.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDianne’s Helicopter and Camels sculptures exhibited at Flight were later acquired by the state collection held by the Western Australian Museum. This delightful and humorous piece depicts the story of Ngaanyatjarra Senior Man and Ranger, Mr Benneti, mustering camels out of Warakurna community.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 2020, Dianne was involved in the collaborative sculptural piece Kungkarangkalpa : Seven Sisters, commissioned for the Natonal Gallery of Australia's Know My Name: Australian Women Artists: 1900 to Now. This large-scale installation tells the ancestral story of the Seven Sisters Dreaming, using sculptural forms woven from materials including tjanpi and raffia. Also in 2020, she worked on a family collaborative piece with her sister, daughter-in-law and granddaughter titled Pitja Nyawa Kulila Pampula (Come, Look, Listen, Touch), an immersive work created for the three-year national travelling exhibition Tension(s): Tamworth Textile Triennial.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMost recently in 2022, she has exhibited internationally as part of Punu Pukurlpa at Deletaille Gallery in Brussels, Belgium.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDianne was awarded the Blue Thumb Art Prize in 2020 for her sculpture ‘Young Mother with Sick Baby’, and the Hedland Art Award in 2017. Her work has been acquired by the National Gallery of Australia, the National Museum of Australiana and the Western Australian Museum.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDianne is also an experienced carver with Maruku Arts and an exhibited painter with Warakurna Arts.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDianne is a kind, feisty and intensely funny woman who has overcome extreme odds to become a highly successful artist and an inspiration to her family and community.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51482100334890,"sku":null,"price":462.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Papa_Dog_1660-24DianneUngukalpiGolding.jpg?v=1777511235"},{"product_id":"cushia-giles-cat-1901-25","title":"Cushia Giles | Cat 1901-25","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCushia Giles is a young, emerging Ngaanyatjarra artist based in the remote community of Mirlirrtjarra (Warburton).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShe comes from a strong lineage of weavers - her grandmother is Tjanpi artist Christine West, and her aunty is Tjanpi basket maker Madeline Jackson - reflecting an intergenerational connection to the fibre practice.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCushia attended her first Tjanpi Skills Development workshop in August 2025, where she quickly demonstrated a natural aptitude for weaving, particularly through her neat and careful raffia stitching. During the workshop, she created two cat sculptures, one of which has since been selected for exhibition at Brunswick Street Gallery in Melbourne.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51482176160042,"sku":null,"price":297.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Cat1901-25CUshiaGiles.jpg?v=1777511236"},{"product_id":"maimie-butler-kamula-camel-71-26","title":"Maimie Butler | Kamula (camel) 71-26","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMaimie is a Ngaanyatjarra artist from Papulankutja (Blackstone) in Western Australia, where she has lived and worked for many years as a respected community leader, advocate, and cultural knowledge holder.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShe grew up in the Blackstone area, spending much of her childhood at Benson camp with Kanytjupayi Benson (dec). As a Mitchell, her Country lies north of Blackstone along the Walu road - an area rich with stories and significant cultural sites that continue to inform her life and practice.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMaimie is both a painter and a Tjanpi artist, drawing on deep cultural knowledge and lived experience. Her work reflects strong connections to Country, community, and the intergenerational sharing of stories and skills. She has previously served as Chairperson of Papulankutja Artists and continues to support the arts alongside her broader community commitments.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlongside her artistic practice, Maimie has an extensive career in health, education, and community services across the Ngaanyatjarra Lands. She has worked as a nurse in Perth, a health worker in Papulankutja and Tjukurla, and an education officer, and has long been employed by Ngaanyatjarra Health as a Mental Health Worker. A trained Aboriginal Mental Health First Aid presenter, she is a passionate advocate for improving awareness, services, and support for Yarnangu (Aboriginal people) living in remote communities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMaimie is widely recognised for her leadership and currently serves as a director of the NPY Women’s Council, having first been elected in 2015. She has also held roles with Ngaanyatjarra Council, the Ngaanyatjarra Health Advisory Committee, Ngaanyatjarra Land Management Committee, and the BHP Advisory Committee. She is a valued member of the Uti Kulintjaku initiative, supporting mental health and wellbeing across the region, and is well known for her work as a translator and cultural advisor.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA talented singer with the Papulankutja Church Choir, Maimie continues to balance her many roles with her creative practice, maintaining a strong commitment to culture, community, and storytelling through art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51482178519338,"sku":null,"price":231.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Kamula_camel_71-26MaimeButler.jpg?v=1777511235"},{"product_id":"imuna-kenta-tjulpu-bird-1794-25","title":"Imuna Kenta | Tjulpu (bird) 1794-25","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eKenta is an artist belonging to the Pitjantjatjara language and cultural group and lives in Pukatja (Ernabella) in South Australia.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eImuna was born in 1948 at Pipalyatjara. As a child she moved east to Ernabella, where she attended the mission school and then worked in the craftroom. She travelled with the Ernabella Choir several times in the 1960s and 1970s to Adelaide and Alice Springs, and again in 2004. She continues to sing with the choir today, recently attending the Mutitjulu 40 year celebration commemorating the handback. Imuna has spent much of her adult life caring for a large family and a disabled daughter, living at the homelands Turkey Bore, Balfours Well and now in Pukatja (Ernabella).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eImuna has been weaving since 2005, and quickly moved from making small baskets to quirky sculptural pieces. Usually depicting animals which surround her home community of Pukatja, such as kangaroos, goannas, camels and dogs, her work is always strong, proud and full of character. Imuna is a lead artist in her home community and a key weaver, giving guidance and inspiration to others with her courage to experiment in her arts practice.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51482193920298,"sku":null,"price":363.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Tjulpu_bird_1794-25ImunaKenta_2d45adbc-6553-4fa0-bebd-0fde1f7fba02.jpg?v=1777517903"},{"product_id":"loretta-peters-ninu-bilby-1795-25","title":"Loretta Peters | Ninu (bilby) 1795-25","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLoretta Peters is an emerging Tjanpi artist based in the remote community of Kaltjiti (Fregon) on the APY Lands in South Australia.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShe first began weaving at a Tjanpi skills development workshop in 2014, and has since grown a confident and expressive practice.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWorking across both basket making and animal sculpture, Loretta brings a quiet skill and attention to detail to her work, creating pieces that are both carefully crafted and full of character.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51482201489706,"sku":null,"price":363.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Ninu_bilby_1795-25LorettaPeters_c92e600c-0242-470c-8bda-5f84862b2fce.jpg?v=1777518409"},{"product_id":"loretta-peters-ninu-bilby-1798-25","title":"Loretta Peters | Ninu (bilby) 1798-25","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLoretta Peters is an emerging Tjanpi artist based in the remote community of Kaltjiti (Fregon) on the APY Lands in South Australia.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShe first began weaving at a Tjanpi skills development workshop in 2014, and has since grown a confident and expressive practice.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWorking across both basket making and animal sculpture, Loretta brings a quiet skill and attention to detail to her work, creating pieces that are both carefully crafted and full of character.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51482223411498,"sku":null,"price":396.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Ninu_bilby_1798-25LorettaPeters.jpg?v=1777511235"},{"product_id":"samantha-burke-papa-dog-96-26","title":"Selinda Hopkins | Tjilkamarta (echidna) 205-25","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSelinda is a young, emerging Pitjantjatjara artist from Kaltukatjara (Docker River) in the Northern Territory.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShe has developed her weaving practice through Tjanpi skills development workshops in Kaltukatjara and Mantamaru (WA), where she has been exploring the art of animal sculpture. A quick and confident learner, Selinda has already created a lively menagerie of forms, including tjilkamarta (echidnas), tinka (lizards), and papa (dogs), each reflecting her growing skill and playful approach to making.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51482227900714,"sku":null,"price":313.5,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Tjilkamarta_echidna_205-25SelindaHopkins.jpg?v=1777511235"},{"product_id":"samantha-burke-papa-dog-96-27","title":"Samantha Burke | Papa (dog) 96-26","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis collection brings together works by senior and emerging artists, reflecting the intergenerational sharing of knowledge across NPY communities from kami (grandmothers), ngunytju (mothers), untal(pa) (daughters), kangkuru (sisters) and kuntili (aunties).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor NPY women, weaving is deeply connected to time spent together out bush - collecting tjanpi (native desert grasses), hunting, visiting Country and sharing stories and skills. These works celebrate not only individual expression, but the strength of working together, learning from one another, and keeping connections strong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the artist:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSamantha is a Ngaanyatjarra woman, born in Mparntwe (Alice Springs) and raised in Kaltukatjara (Docker River) in the Northern Territory. She now lives in Mantamaru (Jameson), Western Australia, where she moved after marrying and starting her family.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHer weaving practice has grown through close family connections - learning by watching her aunty, Thelma McLean, and her cousin, Tjanpi artist and arts worker Cynthia Burke. Samantha has a natural affinity for sculptural work, with a particular love for creating animals, especially papa (dogs). She enjoys experimenting with different techniques, from stitching and shaping to exploring colour and materials, bringing a sense of curiosity and playfulness to her practice.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTjanpi Desert Weavers (Tjanpi meaning ‘wild grass’) is an award-winning, Indigenous governed and directed social enterprise of the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara Women’s Council (NPYWC). Tjanpi empowers over 400 women across a 350 000 square km area of the tri-state region of NT, SA and WA to earn an income and remain in their communities on Country.\u003c\/p\u003e","brand":"Tjanpi Desert Weavers","offers":[{"title":"Default Title","offer_id":51482242449706,"sku":null,"price":297.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Papa_Dog_96-26SamanthaBurke.jpg?v=1777511236"},{"product_id":"dinny-kemarr-kunoth-cockatoo-620-25","title":"Dinny Kemarr Kunoth | Cockatoo 620-25","description":"\u003cp\u003e\u003cem\u003e\"I\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cem\u003e was born in 1954 at Utopia Homestead must be or maybe in the bush. We lived half-way bush and half-way station. Working for station life and living bush. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen I was 15 or 16, I was working at Waite River Station. Using axes and making yards for nanny goats. Those old yards are still there from when I was young. I’ve looked. Must be there since 19 something. 1973 maybe. Everywhere I was working. Up the north along the soakage’s. Across the stations. Branding and mustering cattle. I’ve always worked this way. Using hands and doing my life. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor footy. First one we played was at the station. A long time ago. We didn’t know about the umpire or nothing. No umpire was there to blow a whistle. We didn’t’ know who the umpire was or what he was saying. Those rules. Those white people schooled us in footy. Old people must have bought a T.V in town. Before that we just had bush football. Then I saw those players later, like Adam Goodes, an aboriginal man playing on T.V. in new times. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI was sitting here, about 2000, and my partner was doing painting. I was watching her and I thought about an idea. I was sitting there no carving, then about 2004, I made one football man. A Collingwood player. I showed him to Marc and he said you should make more of this. A whole team. So, I’m keeping on making them.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e– Dinny Kunoth\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507597508906,"sku":null,"price":480.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/1A7A5633_copy.jpg?v=1778225066"},{"product_id":"dinny-kemarr-kunoth-cockatoo-621-25","title":"Dinny Kemarr Kunoth | Cockatoo 621-25","description":"\u003cp\u003e\u003cem\u003e\"I\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cem\u003e was born in 1954 at Utopia Homestead must be or maybe in the bush. We lived half-way bush and half-way station. Working for station life and living bush. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen I was 15 or 16, I was working at Waite River Station. Using axes and making yards for nanny goats. Those old yards are still there from when I was young. I’ve looked. Must be there since 19 something. 1973 maybe. Everywhere I was working. Up the north along the soakage’s. Across the stations. Branding and mustering cattle. I’ve always worked this way. Using hands and doing my life. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor footy. First one we played was at the station. A long time ago. We didn’t know about the umpire or nothing. No umpire was there to blow a whistle. We didn’t’ know who the umpire was or what he was saying. Those rules. Those white people schooled us in footy. Old people must have bought a T.V in town. Before that we just had bush football. Then I saw those players later, like Adam Goodes, an aboriginal man playing on T.V. in new times. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI was sitting here, about 2000, and my partner was doing painting. I was watching her and I thought about an idea. I was sitting there no carving, then about 2004, I made one football man. A Collingwood player. I showed him to Marc and he said you should make more of this. A whole team. So, I’m keeping on making them.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e– Dinny Kunoth\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507599212842,"sku":null,"price":480.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/1A7A5631_copy.jpg?v=1778225066"},{"product_id":"dinny-kemarr-kunoth-cockatoo-622-25","title":"Dinny Kemarr Kunoth | Cockatoo 622-25","description":"\u003cp\u003e\u003cem\u003e\"I\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cem\u003e was born in 1954 at Utopia Homestead must be or maybe in the bush. We lived half-way bush and half-way station. Working for station life and living bush. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen I was 15 or 16, I was working at Waite River Station. Using axes and making yards for nanny goats. Those old yards are still there from when I was young. I’ve looked. Must be there since 19 something. 1973 maybe. Everywhere I was working. Up the north along the soakage’s. Across the stations. Branding and mustering cattle. I’ve always worked this way. Using hands and doing my life. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor footy. First one we played was at the station. A long time ago. We didn’t know about the umpire or nothing. No umpire was there to blow a whistle. We didn’t’ know who the umpire was or what he was saying. Those rules. Those white people schooled us in footy. Old people must have bought a T.V in town. Before that we just had bush football. Then I saw those players later, like Adam Goodes, an aboriginal man playing on T.V. in new times. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI was sitting here, about 2000, and my partner was doing painting. I was watching her and I thought about an idea. I was sitting there no carving, then about 2004, I made one football man. A Collingwood player. I showed him to Marc and he said you should make more of this. A whole team. So, I’m keeping on making them.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e– Dinny Kunoth\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507599737130,"sku":null,"price":480.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/1A7A5626_copy.jpg?v=1778225060"},{"product_id":"hazel-kngwarreye-morton-ilyarnayt-523-25","title":"Hazel Kngwarreye Morton | Ilyarnayt 541-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ilyarnayt. It’s growing everywhere in Ngarwenyerra. My country. On those sandhills back there. Pretty flowers, yellow ones. Tyape likes them too. He living in there, inside those roots. We dig them up. Tyape kere mwerr-angker.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e– Hazel Kngwarreye Morton\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507610779946,"sku":null,"price":440.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/HazelKngwarreyeMortonIlyarnayt541-25.jpg?v=1778131292"},{"product_id":"hazel-kngwarreye-morton-ilyarnayt-523-26","title":"Hazel Kngwarreye Morton | Ilyarnayt 523-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ilyarnayt. It’s growing everywhere in Ngarwenyerra. My country. On those sandhills back there. Pretty flowers, yellow ones. Tyape likes them too. He living in there, inside those roots. We dig them up. Tyape kere mwerr-angker.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e– Hazel Kngwarreye Morton\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507645317418,"sku":null,"price":550.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/HazelKngwarreyeMortonIlyarnayt523-25.jpg?v=1778131294"},{"product_id":"hazel-kngwarreye-morton-ilyarnayt-575-25","title":"Hazel Kngwarreye Morton | Ilyarnayt 575-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ilyarnayt. It’s growing everywhere in Ngarwenyerra. My country. On those sandhills back there. Pretty flowers, yellow ones. Tyape likes them too. He living in there, inside those roots. We dig them up. Tyape kere mwerr-angker.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e– Hazel Kngwarreye Morton\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507647349034,"sku":null,"price":610.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/HazelKngwarreyeMortonIlyarnayt575-25.jpg?v=1778131292"},{"product_id":"janice-kngwarreye-clarke-ilyarnayt-381-25","title":"Janice Kngwarreye Clarke | Ilyarnayt 381-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ilyarnayt. It’s growing everywhere in Ngarwenyerra. My country. On those sandhills back there. Pretty flowers, yellow ones. Tyape likes them too. He living in there, inside those roots. We dig them up. Tyape kere mwerr-angker.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507654787370,"sku":null,"price":1770.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/JaniceKngwarreyeClarkeIlyarnayt381-25.jpg?v=1778131291"},{"product_id":"janice-kngwarreye-clarke-ilyarnayt-458-25","title":"Janice Kngwarreye Clarke | Ilyarnayt 458-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ilyarnayt. It’s growing everywhere in Ngarwenyerra. My country. On those sandhills back there. Pretty flowers, yellow ones. Tyape likes them too. He living in there, inside those roots. We dig them up. Tyape kere mwerr-angker.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507661111594,"sku":null,"price":1770.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/JaniceKngwarreyeClarkeIlyarnayt458-25.jpg?v=1778131292"},{"product_id":"janice-kngwarreye-clarke-ilyarnayt-558-25","title":"Janice Kngwarreye Clarke | Ilyarnayt 558-25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ilyarnayt. It’s growing everywhere in Ngarwenyerra. My country. On those sandhills back there. Pretty flowers, yellow ones. Tyape likes them too. He living in there, inside those roots. We dig them up. Tyape kere mwerr-angker.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507661898026,"sku":null,"price":940.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/JaniceKngwarreyeClarkeIlyarnayt558-25_1142564d-f3f3-475a-9383-f331a0df39cc.jpg?v=1778131624"},{"product_id":"jean-long-arnkerrth-457-23","title":"Jean Kngwarreye Long | Arnkerrth 457-23","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Arnkerrth is one dreaming on my Country. My mother's dreaming. She's been painting the mountain devil for a long time. The mountain devil moves all around Alhalkere and Atnangkere. She's carrying her swag on her back.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507663438122,"sku":null,"price":2000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/JeanLongArnkerrth457-23.jpg?v=1778131292"},{"product_id":"josie-petyarr-kunoth-atnwelarr-595-25","title":"Josie Pitjara Kunoth | Atnwelarr 595-25","description":"\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"We call them Atnwelarr. That yam. Water makes it grow up. Kwaty apetyeyel. All the soakage around and those roots growing in Alhalkere. These are the rock holes, from my Country, Urlerrperl, lots of yams there too.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Me and my brothers and sisters. We lived at the station when we were young. Nothing left at Aniltji anyone. Everyone shifted away from that old country. Station now. Living bush close by. My aunty singing all the time. Walking in the bush. No car. My aunty was getting everything, bush tomato, something, kangaroo, no worries. Young girls. We went with my two sisters to Pigeon Bore. With our aunties Kathleen, Gloria and Emily. Lily Sandover too. We painted up for dancing. That old lady Emily she was singing. That old lady told me “You sing this one. This is your country. Awelye. Alhalkere.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe started doing batik first. Jenny Green and Julia Murray at Homestead. At Homestead and 3 Bores and Soakage later on. We worked the whole lot. I was following my mum and my aunties too. Emily, my aunty, shifted to soakage. We were working there doing batik. No houses. Batik finished and then canvas. I was watching my aunties and mother. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’m making my own style now. My way. Mwerr-way. I still sing. No one’s singing anymore but I’m singing my canvas.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e– Josie Pitjara Kunoth\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507676381482,"sku":null,"price":1180.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/JosieKunoth595-25.jpg?v=1778131292"},{"product_id":"josie-petyarr-kunoth-atnwelarr-612-25","title":"Josie Pitjara Kunoth | Atnwelarr 612-25","description":"\u003cp\u003e\u003cem\u003e\"We call them Atnwelarr. That yam. Water makes it grow up. Kwaty apetyeyel. All the soakage around and those roots growing in Alhalkere. These are the rock holes, from my Country, Urlerrperl, lots of yams there too.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Me and my brothers and sisters. We lived at the station when we were young. Nothing left at Aniltji anyone. Everyone shifted away from that old country. Station now. Living bush close by. My aunty singing all the time. Walking in the bush. No car. My aunty was getting everything, bush tomato, something, kangaroo, no worries. Young girls. We went with my two sisters to Pigeon Bore. With our aunties Kathleen, Gloria and Emily. Lily Sandover too. We painted up for dancing. That old lady Emily she was singing. That old lady told me “You sing this one. This is your country. Awelye. Alhalkere.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe started doing batik first. Jenny Green and Julia Murray at Homestead. At Homestead and 3 Bores and Soakage later on. We worked the whole lot. I was following my mum and my aunties too. Emily, my aunty, shifted to soakage. We were working there doing batik. No houses. Batik finished and then canvas. I was watching my aunties and mother. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’m making my own style now. My way. Mwerr-way. I still sing. No one’s singing anymore but I’m singing my canvas.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e– Josie Pitjara Kunoth\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507679396138,"sku":null,"price":2390.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/JosieKunoth_612-25.jpg?v=1780363450"},{"product_id":"louisa-long-arnkerrth-461-23","title":"Louisa Long | Arnkerrth 461-23","description":"\u003cdiv class=\"text-two-column__column\"\u003e\n\u003cdiv class=\"text__text-container rte type-body-2\"\u003e\n\u003cdiv class=\"text-two-column__column\"\u003e\n\u003cdiv class=\"text__text-container rte type-body-2\"\u003e\n\u003cdiv class=\"text-two-column__column\"\u003e\n\u003cdiv class=\"text__text-container rte type-body-2\"\u003e\n\u003cp\u003e\u003cem\u003e\"Arnkerrth is one dreaming on my Country. My mother's dreaming. She's been painting the mountain devil for a long time. The mountain devil moves all around Alhalkere and Atnangkere. She's carrying her swag on her back.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAt The Centre\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings together artists from Central and Western Desert Art Centres, sharing stories both old and new from the heart of Central Australia. Drawing on their surroundings, the works depict lush bush medicine plants, vast desert landscapes, playful scenes of contemporary Town Camp life, and powerful Tjukurpa. Together, they reflect enduring connections to Ngura—home, place, and Country. Even across great distances, these works invite audiences to connect with Ngura, at the centre of it all.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text-two-column__column\"\u003e\n\u003cdiv class=\"text__text-container rte type-body-2\"\u003e\n\u003cp\u003e\u003cem\u003eAt The Centre\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehighlights work from the artists of Artists of Ampilatwatja, Bindi Mwerre Anthurre Artists, Iwiri Arts, Papunya Tjupi, Tangentyere Artists, Tjanpi Desert Weavers, Utopia Arts, Warlukurlangu Artists.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAt The Centre\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis presented by BSG Projects, and in proud partnership with the above Art Centres.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507692011818,"sku":null,"price":5490.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/LouisaLongArnkerrth461-23_d635caeb-1b44-4b97-8ffa-7a0b3a85dd12.jpg?v=1778131375"},{"product_id":"louisa-long-arnkerrth-362-25","title":"Louisa Long | Arnkerrth 362-25","description":"\u003cdiv class=\"text-two-column__column\"\u003e\n\u003cdiv class=\"text__text-container rte type-body-2\"\u003e\n\u003cp\u003e\u003cem\u003e\"Arnkerrth is one dreaming on my Country. My mother's dreaming. She's been painting the mountain devil for a long time. The mountain devil moves all around Alhalkere and Atnangkere. She's carrying her swag on her back.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAt The Centre\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings together artists from Central and Western Desert Art Centres, sharing stories both old and new from the heart of Central Australia. Drawing on their surroundings, the works depict lush bush medicine plants, vast desert landscapes, playful scenes of contemporary Town Camp life, and powerful Tjukurpa. Together, they reflect enduring connections to Ngura—home, place, and Country. Even across great distances, these works invite audiences to connect with Ngura, at the centre of it all.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text-two-column__column\"\u003e\n\u003cdiv class=\"text__text-container rte type-body-2\"\u003e\n\u003cp\u003e\u003cem\u003eAt The Centre\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehighlights work from the artists of Artists of Ampilatwatja, Bindi Mwerre Anthurre Artists, Iwiri Arts, Papunya Tjupi, Tangentyere Artists, Tjanpi Desert Weavers, Utopia Arts, Warlukurlangu Artists.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAt The Centre\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis presented by BSG Projects, and in proud partnership with the above Art Centres.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507755352362,"sku":null,"price":2730.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/LouisaLongArnkerrth362-25.jpg?v=1778131292"},{"product_id":"sally-m-nangala-mulda-playing-cards-13792-25","title":"Sally M Nangala Mulda | Playing Cards 13792-25","description":"\u003cp\u003e\u003cem\u003e\"They playing card for big money on Hospital lawn.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sidebar clearwithin visible\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"content_module clearwithin\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eAbout the artist:\u003c\/p\u003e\n\u003cp\u003eBorn to Titjikalaher parents from Erldunda and Aputula regions Sally M Nangala Mulda  and fellow artist Margaret Boko met at Amoonguna at school when their families were moved there. Mulda has lived in Alice Springs since she married and had her only child as a young woman. After losing the use of her left arm in a childhood accident Mulda later faced the challenge of losing her sight in one eye. Widowed and without children, Mulda lived with friends and extended family in Alice Springs for many years.\u003c\/p\u003e\n\u003cp\u003eFrom the outset Mulda sought to record those interactions that constitute life for so many Aboriginal people today. Initially Mulda struggled with painting because of her compromised vision, but following surgery on her good eye, Mulda grew in confidence to create her own rich and fluid figurative style that celebrates her place in the world. Mulda loosely applies layers of colour in broad brush strokes to depict the world around her. Of Mulda’s domestic environment tap drips into a bowl for the dogs, children play, men and women sit in the shade occasionally playing cards, making punu and seed jewellery, playing with babies, celebrating important events, occasionally drinking, while ranges in the background pulse with the heat, or the stars shine in clear skies.\u003c\/p\u003e\n\u003cp\u003eFurther afield, Mulda explores life since the Intervention: camping in the riverbed in swags, Council rangers moving people on, police pouring out grog, or taking people off to sober up. Mulda observes minutiae, such as the navy-blue Northern Territory police uniform introduced in early 2012. Mulda records events she witnesses and experiences without any particular judgement. It is as it is. Her oeuvre represents a journalistic approach to local situations. This is especially  pertinent in that many of her paintings include text that explains each scene in strong and simple language. This form of social commentary on the daily lives of Town Camp residents in Alice Springs represents an important catalogue of lived experiences captured for posterity. \u003c\/p\u003e\n\u003cp\u003eAs Mulda explained about her many years living at Little Sisters Town Camp located at the base of Mt Gillen just south of Heavy tree Gap ‘Us grownups sitting one and all the kids playing and making noise on the other side, and dogs - big - little -all running round making noise all feeling good for home you know?'\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eIn 2011 Mulda moved to Abbott’s Town Camp located by the Todd River. Life is slightly different for her there and as a result of the move Mulda’s paintings some including text continue to reveal more fascinating insights about life today in Central Australia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eMulda was a finalist in the Telstra 2012 National Aboriginal \u0026amp; Torres Strait Islander Art Award and was the winner of the 2011 'Rights on Show' Annual Human Rights Art Award and Exhibition. Her work has been acquired by many private collections and several public institutions\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507779567914,"sku":null,"price":1950.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Sally_M_Nangala_Mulda_13792-25_Playing_cards_dfd1f416-8ad4-4e5e-8e00-2ce4f7b5e209.jpg?v=1778132890"},{"product_id":"sally-m-nangala-mulda-going-to-bank-14331-26","title":"Sally M Nangala Mulda | Going to bank 14331-26","description":"\u003cp\u003e\u003cem\u003e\"Two young man and young woman taking old man and old woman to big bank.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sidebar clearwithin visible\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"content_module clearwithin\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eAbout the artist:\u003c\/p\u003e\n\u003cp\u003eBorn to Titjikalaher parents from Erldunda and Aputula regions Sally M Nangala Mulda  and fellow artist Margaret Boko met at Amoonguna at school when their families were moved there. Mulda has lived in Alice Springs since she married and had her only child as a young woman. After losing the use of her left arm in a childhood accident Mulda later faced the challenge of losing her sight in one eye. Widowed and without children, Mulda lived with friends and extended family in Alice Springs for many years.\u003c\/p\u003e\n\u003cp\u003eFrom the outset Mulda sought to record those interactions that constitute life for so many Aboriginal people today. Initially Mulda struggled with painting because of her compromised vision, but following surgery on her good eye, Mulda grew in confidence to create her own rich and fluid figurative style that celebrates her place in the world. Mulda loosely applies layers of colour in broad brush strokes to depict the world around her. Of Mulda’s domestic environment tap drips into a bowl for the dogs, children play, men and women sit in the shade occasionally playing cards, making punu and seed jewellery, playing with babies, celebrating important events, occasionally drinking, while ranges in the background pulse with the heat, or the stars shine in clear skies.\u003c\/p\u003e\n\u003cp\u003eFurther afield, Mulda explores life since the Intervention: camping in the riverbed in swags, Council rangers moving people on, police pouring out grog, or taking people off to sober up. Mulda observes minutiae, such as the navy-blue Northern Territory police uniform introduced in early 2012. Mulda records events she witnesses and experiences without any particular judgement. It is as it is. Her oeuvre represents a journalistic approach to local situations. This is especially  pertinent in that many of her paintings include text that explains each scene in strong and simple language. This form of social commentary on the daily lives of Town Camp residents in Alice Springs represents an important catalogue of lived experiences captured for posterity. \u003c\/p\u003e\n\u003cp\u003eAs Mulda explained about her many years living at Little Sisters Town Camp located at the base of Mt Gillen just south of Heavy tree Gap ‘Us grownups sitting one and all the kids playing and making noise on the other side, and dogs - big - little -all running round making noise all feeling good for home you know?'\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eIn 2011 Mulda moved to Abbott’s Town Camp located by the Todd River. Life is slightly different for her there and as a result of the move Mulda’s paintings some including text continue to reveal more fascinating insights about life today in Central Australia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eMulda was a finalist in the Telstra 2012 National Aboriginal \u0026amp; Torres Strait Islander Art Award and was the winner of the 2011 'Rights on Show' Annual Human Rights Art Award and Exhibition. Her work has been acquired by many private collections and several public institutions\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507781501226,"sku":null,"price":970.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Sally_M_Nangala_Mulda_14331-26_Going_to_bank_7675fff3-8327-453c-845a-0318427db93c.jpg?v=1778132888"},{"product_id":"sally-m-nangala-mulda-looking-for-blanket-14324-26","title":"Sally M Nangala Mulda | Looking for blanket 14324-26","description":"\u003cp\u003e\u003cem\u003e\"Four people come at midnight looking for blanket, one man said let's go next door.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sidebar clearwithin visible\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"content_module clearwithin\"\u003e\n\u003cdiv class=\"prose\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eAbout the artist:\u003c\/p\u003e\n\u003cp\u003eBorn to Titjikalaher parents from Erldunda and Aputula regions Sally M Nangala Mulda  and fellow artist Margaret Boko met at Amoonguna at school when their families were moved there. Mulda has lived in Alice Springs since she married and had her only child as a young woman. After losing the use of her left arm in a childhood accident Mulda later faced the challenge of losing her sight in one eye. Widowed and without children, Mulda lived with friends and extended family in Alice Springs for many years.\u003c\/p\u003e\n\u003cp\u003eFrom the outset Mulda sought to record those interactions that constitute life for so many Aboriginal people today. Initially Mulda struggled with painting because of her compromised vision, but following surgery on her good eye, Mulda grew in confidence to create her own rich and fluid figurative style that celebrates her place in the world. Mulda loosely applies layers of colour in broad brush strokes to depict the world around her. Of Mulda’s domestic environment tap drips into a bowl for the dogs, children play, men and women sit in the shade occasionally playing cards, making punu and seed jewellery, playing with babies, celebrating important events, occasionally drinking, while ranges in the background pulse with the heat, or the stars shine in clear skies.\u003c\/p\u003e\n\u003cp\u003eFurther afield, Mulda explores life since the Intervention: camping in the riverbed in swags, Council rangers moving people on, police pouring out grog, or taking people off to sober up. Mulda observes minutiae, such as the navy-blue Northern Territory police uniform introduced in early 2012. Mulda records events she witnesses and experiences without any particular judgement. It is as it is. Her oeuvre represents a journalistic approach to local situations. This is especially  pertinent in that many of her paintings include text that explains each scene in strong and simple language. This form of social commentary on the daily lives of Town Camp residents in Alice Springs represents an important catalogue of lived experiences captured for posterity. \u003c\/p\u003e\n\u003cp\u003eAs Mulda explained about her many years living at Little Sisters Town Camp located at the base of Mt Gillen just south of Heavy tree Gap ‘Us grownups sitting one and all the kids playing and making noise on the other side, and dogs - big - little -all running round making noise all feeling good for home you know?'\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eIn 2011 Mulda moved to Abbott’s Town Camp located by the Todd River. Life is slightly different for her there and as a result of the move Mulda’s paintings some including text continue to reveal more fascinating insights about life today in Central Australia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eMulda was a finalist in the Telstra 2012 National Aboriginal \u0026amp; Torres Strait Islander Art Award and was the winner of the 2011 'Rights on Show' Annual Human Rights Art Award and Exhibition. Her work has been acquired by many private collections and several public institutions\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507783991594,"sku":null,"price":1280.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Sally_M_Nangala_Mulda_14324-26_Looking_for_blanket_cf6f45b5-9b84-4f36-99c8-aae69325751f.jpg?v=1778132891"},{"product_id":"elizabeth-douglas-cave-hill-bush-trip-14321-26","title":"Elizabeth Douglas | Cave Hill Bush Trip 14321-26","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\"On Friday we go from Walinynga (Cave Hill), our Homeland to Amata for shopping, and then go back to Cave Hill.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eSaturday we go hunting kangaroo near Cave Hill. We make a fire ready to cook malu (kangaroo). We sit down and dig for witchetty grubs (maku). Sit down, have some good fun, dig witchetty, cook malu. We going back to Amata, Palya.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e– Elizabeth Douglas\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507825443114,"sku":null,"price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/ElizabethDouglas14321-26CaveHillBushTrip.jpg?v=1778133519"},{"product_id":"elizabeth-douglas-amata-football-14291-25","title":"Elizabeth Douglas | Amata Football 14291-25","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\"They playing football at Amata, everybody watching. That oval over there, kids playing with their dogs.\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e– Elizabeth Douglas\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507841204522,"sku":null,"price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/ElizabethDouglas14291-25AmataFootball.jpg?v=1778135702"},{"product_id":"elizabeth-douglas-cave-hill-homeland-14292-25","title":"Elizabeth Douglas | Cave Hill Homeland 14292-25","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\"We were sitting outside waiting for the sun to go down, watching one car go past to Amata.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eMy son was singing out, watching the sunset.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eMy sister is watering the flowers, two Malu (kangaroo) there and the dog was chasing the malu but then saw the car and started chasing that instead, barking, chasing the car.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eWent inside after the sun went down to watch tv.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e– Elizabeth Douglas\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507852116266,"sku":null,"price":380.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/ElizabethDouglas14292-25CaveHillHomeland.jpg?v=1778135873"},{"product_id":"coralie-kunmanara-williams-sandhill-camp-familys-home-ntaria-14322-26","title":"Coralie Kunmanara Williams | Sandhill Camp, Family's Home, Ntaria 14322-26","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\"This is a little area called Sand Hill Camp. It’s a little area for family at Ntaria (Hermannsburg). We used to live there, but now we live in Mparntwe . Other family still live there. Sometimes we go like for funeral we’ll go round the Sand Hill Camp to visit families.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e– Coralie Kunmanara Williams\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507855065386,"sku":null,"price":580.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/CoralieKunmanaraWilliams14322-26SandhillCamp_Family_sHome_Ntaria.jpg?v=1778136070"},{"product_id":"marjorie-nunga-williams-ntaria-hermannsburg-14278-25","title":"Marjorie Nunga Williams | Ntaria (Hermannsburg) 14278-25","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\"This is a story from old days in Hermannsburg. In the old days they had stock yard and stockmen, they brought the horses in and put them in the yard. Used to be like that before, before I was born. Kala.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e– Marjorie Nunga Williams\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507866337578,"sku":null,"price":520.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Marjorie_Nunga_Williams_14278-25_Ntaria_Hermannsburg.jpg?v=1778127402"},{"product_id":"marjorie-nunga-williams-animals-at-tempe-downs-14221-25","title":"Marjorie Nunga Williams | Animals at Tempe Downs 14221-25","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\"Tempe Downs. Two emus are running, two kangaroos are fighting, the echidnas are watching the kangaroos fighting, also the lizards and snakes. The cockatoos and two black crow, they all watching these two fighting. Two eagles fighting and these little birds thought it was strange. Snakes are looking at kangaroo fighting. Little baby emus looking at the parents running, their father and mother.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e– Marjorie Nunga Williams\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507872071978,"sku":null,"price":410.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Marjorie_Nunga_Williams_14221-25_Animals_at_Tempe_Downs.jpg?v=1778127399"},{"product_id":"nora-abbott-lasseter-story-13907-25","title":"Nora Abbott | Lasseter Story 13907-25","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\"My grandfather been tell me this when we moved back to his Country round Docker River [1968]. He live there all his life. He was already husband, father. Life was good there – Petermann Ranges… Everyone camp out all the time. All naked. All live in family groups and visit each other across the country. Everywhere group come together for good hunting – Sorry Business – ceremony – celebrations… and then they go back home. They see smoke over there – know family over there, so go visit. Might camp together for overnight, or little while, then back home again. All moving around that Country [Petermann Ranges] back and forth. They follow kapi and bush foods.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eThey all saw Lasseter coming – past Papunya, through the lake [Salt Lake country - Lake Neale], Blood Range way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eAnd they been seen him, white man coming up. They bin never seen white man before. They thought he might be ghost. They were too frightened – on the camel, and Lasseter was looking at them. He was looking round for gold. He had that map, little map… Anangu, they all tell each other what they seen as he went by.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eThen his camel – two camel – they ran away. He went there to Lasseter’s Cave – Tjunti we call him – that cave he camp. And he stuck there for good. And he used to work with the people now, with Anangu mob, with them together. And he take two young fella look around for two camel that ran from Tjunti. From there they couldn’t find it and they come back home to Tjunti right after. They used to give bush tucker, kangaroo, emu to him, when he ran out of tucker… tucker box empty. Turkey meat, goanna, rabbit - everything – they shared with him.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eThey been get friendly now.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eHe been stop with Anangu now. They all naked. All Lasseter clothes - his shirt - trouse - underwear - all tatters… nothing – just fall away. He stuck for long time with them. Couldn’t go – where would he go? Nowhere to go.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eCan’t walk too far… stuck there forever.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eMy grandfather been tell me all this and that. That’s all my grandfather story. This was when my mother was little girl, about this size [five or six year old], and my uncle was baby. Mother remember this time. She tell me that story too from that time, when my uncle was baby. Lasseter there travelling through from Blood Range, then camping at Tjunti for so long.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eThey been look after Lasseter. Then when he passed, big mob Anangu, they buried him. I don’t know where, but old people they know. Grandfather tell me south of Tjunti, that’s Lasseter’s Cave.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eKele, that’s all.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e– \u003c\/em\u003eNora Abbott\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507877773610,"sku":null,"price":660.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Nora_Abbott_13907-25_Lasseter_Story.jpg?v=1778127402"},{"product_id":"grace-kemarre-robinya-big-mob-of-kids-digging-for-honey-ants-14253-25","title":"Grace Kemarre Robinya | Big Mob of Kids Digging for Honey Ants 14253-25","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\"This painting's about digging for Yerramp [honey ants] – after raining time they start off their digging. This is a picnic – just for day – not camping. No one's eaten yet. Everyone goes from Laramba when it’s raining time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eGood time to dig for Yerramp. This is a place near Tilmouth Roadhouse. The hill is called Urlperrarty – means upper back of spine. The men climbing up the hill, just looking all around, all the drivers, 6 cars, 2 bus, from Laramba. This is a big hill. Other two smaller hills got no name. These hills got minkulpa, you can cut ‘em pitjuri, it comes up after the rain. Kid’s tracks are everywhere, busy little ketyeye mob (Aboriginal kids) are running around and climbing up the trees, to the top of the trees. This little one’s climbing up, her mother’s singing come down come down, you’re too little! Other kids have climbed up before their mother could sing out fast enough to stop them. This is a favourite spot for digging honey ants – long time from the past. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eAll Laramba mob are digging–One sitting resting by car in the shade. Fire in the middle – no one sitting by him. Some kids [lower left] crying for honey ants. Another one [to the right] pulling mother’s hair. Another 2 kids fighting. Another one touching his  mum’s back. He tells her she has a big bum. One singing out ‘honey ants here!’ She’s got her arm up, waving, singing out. Someone’s checking for lousy (lice) and an old woman's standing in the middle of it all. Pink birds and white birds, all the cockies are thirsty for water, just a few, not too many. I always feed them bread, fill my pockets and take it out bush, they like it!\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e– Grace Kemarre Robinya\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507881902378,"sku":null,"price":770.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Grace_Kemarre_Robinya_14253-25_Big_Mob_of_Kids_Digging_for_Honey_Ants.jpg?v=1778127405"},{"product_id":"grace-kemarre-robinya-mustering-napperby-station-14363-26","title":"Grace Kemarre Robinya | Mustering, Napperby Station 14363-26","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\"This painting is about mustering at Laramba Range on Napperby Station. Those helicopters–that's Chisholm–Roy Chisholm in black one and his son, white one. They rounding up cattle–near the waterhole.\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e– Grace Kemarre Robinya\u003c\/p\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51507959234858,"sku":null,"price":2120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Grace_Kemarre_Robinya_14363-26_Mustering_Napperby_Station.jpg?v=1778127399"},{"product_id":"renita-stanley-iti-mamu-26-125","title":"Renita Stanley | Iti Mamu 26-125","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cem\u003e\"This is the story of the older sister going a long way to get her younger sister and bring her back. They went through many places on the way, but I will only talk about a short bit of their journey at Wingellina. Two women who both came from\u003cbr\u003eup north and stayed a while. They both could see that Docker River was close. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAnd as they were sitting there they performed ceremony, Inma. After they both threw away their weapons, they threw them away. Their head-rings, they threw away their head-rings. Then they got up and left. They went to another place, a hollow called Kantarangkutjara and then they travelled on to Docker River. The story of their travels after Docker River belongs to the Docker River people and others in distant country. My part of the story is short.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Brunswick Street Gallery","offers":[{"title":"Default Title","offer_id":51511575281962,"sku":null,"price":640.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/Renita_Stanley_Iti_Mamu_26-125.jpg?v=1778210081"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/collections\/14253-25_Grace_Kemarre_Robinya_859f31b4-34ec-498b-891e-3b99e58d9945.jpg?v=1777510832","url":"https:\/\/brunswickstreetgallery.com.au\/collections\/at-the-centre-exhibition-collection.oembed","provider":"Brunswick Street Gallery","version":"1.0","type":"link"}