{"title":"Stockroom Artists","description":"","products":[{"product_id":"australian-pelican","title":"Edan Azzopardi | Australian Pelican Silkscreen Print","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eExplore the artistic aviary of Edan Azzopardi, a Melbourne-based painter whose lifelong love of native birds has led to an ongoing ornithological survey celebrating their colourful character.\u003cbr\u003e\u003c\/p\u003e","brand":"Edan Azzopardi","offers":[{"title":"unframed","offer_id":44501759426858,"sku":"","price":380.0,"currency_code":"AUD","in_stock":true},{"title":"framed","offer_id":44501759459626,"sku":"","price":825.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/AUSTRALIANPELICANSILKSCREENPRINTBYEDANAZZOPARDI.jpg?v=1671371365"},{"product_id":"mundukul-burrutji-lightning-snake-maḏarrpa-dhalwangu","title":"Wulu Marawili Mikariny Muluminya | Mundukul\/Burrut'ji - Lightning Snake (Maḏarrpa\/Dhalwaŋu)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eArt Centre: Buku-Larrŋgay Mulka Centre\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44062564581674,"sku":"","price":4465.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/4.jpg?v=1673932125"},{"product_id":"djapu-1","title":"Yimula Munuŋgurr | DJAPU 1403-22","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe cross hatching grid pattern is the sacred design for the freshwaters of the Djapu clan at their homeland Wandawuy now an outstation about 150 kilometres south of Yirrkala and inland from Blue Mud Bay. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis Djapu clan outstation (and spiritual residence for Ancestral Beings Mäna the Shark and Bol’ŋu the Thunderman) is surrounded by permanent freshwater. Rains inspired by the actions of Bol’ŋu feed the rivers and fill the billabongs. Catfish and mussels, freshwater crayfish and others feed the Yolŋu and wild life. The waters are home for the shark Mäna.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe grid refers to the landscape of Wandawuy - a network of billabongs surrounded by ridges and high banks. Its structure also having reference at one level to woven fish traps. Ancestral Hunters set a trap here to snare the Shark but to no avail. These Yolngu people are called Bärngbarng and Monu'a who came to cut the trees named Gu'uwu, Gathurrmakarr, Nyenyi, Rulwirrika and Gananyarra - all Dhuwa trees. They used straight young trees nd cut them with their axes called Gayma`arri, Bitjutju.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAreas of the river are staked by the Yolŋu and branches interwoven through them. Then the water is polluted by a particular pulped bark that anaesthetises the Gaṉŋal that hobble to the surface. With nets constructed similarly to the the beak of Galumay the Pelican the Yolŋu wade through the waters scooping up the fish. It has been fished since Ancestral times. Gaṉŋal the catfish, totem for the Djapu is ceremonially sung as is Galumay the pelican. Both these species frequent the waters of Wandawuy. Mäna the Ancestral Shark in its epic travels comes through this way. These ancestors try to trap Mäna in the freshwater by means of these traps in the waterways. They fail. The powers and physical strength of the Shark overcome the efforts of mere mortals. Mäna’s ire and thrashing tail smash the trap and muddy the water.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThey witness however the strength of Mäna and sing his actions, the thrashing of his tail for one, the muddying or contamination of the water. The black lines having reference to the trap, the coloured verticals referring to differing states of the freshwater - the source of Djapu soul. At ceremony appropriate participants for mortuary rites enter the shelter (woven together like the unsuccessful trap) where the deceased has been lying in state. Sacred spears tipped with stingray barbs, manifestations of Mäna’s teeth, stand up alongside the shelter.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYimula's unique portrayal of Mäna crashing through the fish traps set by the Djapu clan is shown in the vast blackened sections of her work. Allowing the viewer to experience the power of the shark as it breaks through the land.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe sacred song cycles of Mäna in the water at Wandawuy are intoned with music from the Yidaki (didjeridu) and Bilma (clapsticks). At the prescribed time at the conclusion of ceremony the dancers crash through the deceased’s shelter imitating the actions of Mäna at the trap. This action has reference to the release of the deceased’s soul, back to the sacred waters of Wandawuy to be reunited with its ancestors awaiting rebirth.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRecent surveys by Anglo scientists in Top End rivers in Kakadu have revealed the existence of a species of shark whose life cycle takes place entirely in the freshwater. A genus otherwise unknown to Western thought in Australia but present in PNG now known in English as Speartooth. Wandawuy literally means place of the Sharks head where in the larger context of the song cycles of Mäna’s journey his head came to rest after being butchered and distributed through the land.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Larrakitj had its traditional use for the Yolŋu of North east Arnhem Land as an ossuary or bone container erected as a memorial to a dead kinsman up to a decade after death. After death the body of the deceased was often ceremonially placed on a raised platform and left to the elements for an appropriate time. The area would then be abandoned until the next stage of the ritual.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis took place once it was determined that the essential eternal spirit of the deceased had completed its cyclical journey to the spring from which it had originated and would in time return again. This might be several years. Whilst the body was ‘lying in state’ others got wind of the death, perhaps by subliminal message and made preparations to journey to the site of mortuary. Usually enough time had elapsed for the bones of the deceased to be naturally cleansed on the platform. The essence of the soul within the bone was made ready for final rites when other outside participants necessary for its safe journey arrived. Ritual saw the bones of the deceased placed within the termite hollowed memorial pole for final resting.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMortuary ritual would end with the placement of the Larrakitj containing the bones standing in the bush. Over time the larrakitj and its contents would return to mother earth.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Larrakitj has often been referred to as the mother’s womb. Once sedentary mission communities were established in Arnhem Land it became impractical to abandon permanent communities and outlawed to expose corpses on platforms.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHowever the cosmology of the Yolŋu and the essence of ritual mortuary ceremony remains just as important. Larrakitj continue to be produced as the equivalent of headstones or to contain the personal effects of a deceased (which might be dangerous unless removed from the living because of the emanations imbued by contact with the deceased).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA further role for this cultural form is as a fine art object and an instructional tool for younger generations. Artworks of this nature have multiple layers of metaphor and meaning which give lessons about the connections between an individual and specific pieces of country (both land and sea), as well as the connections between various clans but also explaining the forces that act upon and within the environment and the mechanics of a spirit’s path through existence. The knowledge referred to by this imagery deepens in complexity and secrecy as a person progresses through a life long learning process.\u003c\/p\u003e\n\u003cp class=\"\"\u003eEach Larrakitj includes a powder coated steel stand for display.\u003cbr\u003e\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44066713895210,"sku":"","price":3765.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/DJAPU1BYYIMULAMUNUNGGURR.jpg?v=1674003557"},{"product_id":"super-fun-times","title":"Megafauna Studio | SUPER FUN TIMES","description":"","brand":"Megafauna Studio","offers":[{"title":"Default Title","offer_id":44066755117354,"sku":"","price":990.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/megafaunaaa-1.jpg?v=1708493723"},{"product_id":"thiikel-kencharang-croc","title":"Keith Wikmunea | THIIKEL - KENCHARANG CROC","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e‘This is Thiikel, the saltwater crocodile from Kencharang. This is one of our totems that belongs to a Storyplace out on our Country. This story is about the saltwater and the freshwater crocodile fighting over women. This story comes from the beginning.’\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e– Keith Wikmunea\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eAbout Keith Wikmunea\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eKeith Wikmunea was born in 1967 in Aurukun.  He was raised in Aurukun by his parents.  Keith is from the Language group Wik-Alken (mother’s side) and Wik-Mungkan (father’s side). His totems are the White Cookatoo, Goanna from his father’s side and the Galah and Frilled-neck lizard from this mother’s side. Keith’s country is Kencherang (father’s side) which is south from Aurukun. There’s a large freshwater lagoon there. During the wet season the saltwater comes up the creek during the high tides. “There is one large creek that comes into that country which splits out into my mother’s country called Ti-tree”. When the freshwater breaks out in the wet season it joins with the creek at Kencherang and connects to the saltwater.  Keith belongs to the Apalech Clan from his father’s side. His mother’s side is the Winchanam Clan. As an artist, Keith is passionate about passing on his creative and cultural knowledge to future generations. His vision is for Wik and Kugu people to keep their culture strong and alive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eKeith was the winner of the 2024 Telstra NATSIAA Exhibition, Museum \u0026amp; Art Gallery of Northern Territory and is held in private and public collections across Asutralia, and internationally.\u003c\/span\u003e\u003c\/p\u003e","brand":"Keith Wikmunea","offers":[{"title":"Default Title","offer_id":44066879832362,"sku":"","price":16200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/THIIKEL-KENCHARANGCROCBYKEITHWIKMUNEA3_9e391826-51eb-4caa-8793-691b16a585bf.jpg?v=1708650843"},{"product_id":"minh-nguk","title":"Bevan Namponan | MINH NGUK","description":"\u003cp\u003eBevan Namponan belongs to the Apalech ceremonial group from his father’s country at Warpang, just inland from Cape Keerweer. His language groups are Wik-Alkan (father’s side) and Wik-Ngathan (mother’s side).\u003c\/p\u003e\n\u003cp\u003eBevan has been working with the Wik \u0026amp; Kugu Arts for several years. His work is to be found in many collections across the country.\u003c\/p\u003e","brand":"Bevan Namponan","offers":[{"title":"Default Title","offer_id":44066919350570,"sku":"","price":4800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/MINHNGUKBYBEVANNAMPONAN4.jpg?v=1674008576"},{"product_id":"banumbirr-morning-star-pole-1","title":"Paul Buwang Buwang Gurruwiwi | BANUMBIRR (MORNING STAR POLE) 22-299","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThese poles were made by Paul Buwang Buwang Gurruwiwi, son of Gali Yalkarriwuy who is custodian of the Banumbirr (Morning Star).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLike his father, Buwang Buwang Gurruwiwi’s art derives from his ancestral homeland of Ngaypinya. The Banumbirr is sacred to the Dhuwa clans of the Yolŋu people.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe Banumbirr is very bright and tracks across the Arnhem land and sets in the west just before the dawn. At this time the light is changing rapidly. There’s is the darkness of the night, punctuated with the reflections of the Morning Star on leaves of the trees, together with the distant glow of the dawn and the fading of the other stars in the sky.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003ePaul Buwang Buwang Gurruwiwi appears courtesy of Vivien Anderson Gallery\u003c\/p\u003e","brand":"Elcho Island Arts","offers":[{"title":"Default Title","offer_id":44066939175210,"sku":"","price":2850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/BANUMBIRR_MORNINGSTARPOLE_1BYPAULBUWANGBUWANGGURRUWIWI5.jpg?v=1674008898"},{"product_id":"gunga-pandanus-basket-1","title":"Pam Ganambarr Gawura | GUNGA (PANDANUS) BASKET 22-133","description":"","brand":"Pam Ganambarr Gawura","offers":[{"title":"Default Title","offer_id":44066965979434,"sku":"","price":572.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/22-133.jpg?v=1732260638"},{"product_id":"reprise","title":"Yen Qin | REPRISE","description":"","brand":"Yen Qin","offers":[{"title":"Default Title","offer_id":44067174547754,"sku":"","price":460.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/REPRISEBYYENQIN1.jpg?v=1674011733"},{"product_id":"bud-by-ellisa-foster","title":"Elissa Foster | BUD","description":"","brand":"Elissa Foster","offers":[{"title":"Default Title","offer_id":44067196174634,"sku":"","price":170.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/BUDBYELLISAFOSTER1.jpg?v=1674011820"},{"product_id":"spark","title":"Lauren Reynolds | SPARK","description":"","brand":"Lauren Reynolds","offers":[{"title":"Default Title","offer_id":44067212132650,"sku":"","price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/SPARKBYLAURENREYNOLDS1.jpg?v=1674012005"},{"product_id":"pour","title":"Lauren Reynolds | POUR","description":"","brand":"Lauren Reynolds","offers":[{"title":"Default Title","offer_id":44069000085802,"sku":"","price":290.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/POURBYLAURENREYNOLDS1.jpg?v=1674035506"},{"product_id":"fin-v","title":"Emily Brookfield | FIN V","description":"","brand":"Emily Brookfield","offers":[{"title":"Default Title","offer_id":44069125456170,"sku":"","price":400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/FINVBYEMILYBROOKFIELD1.jpg?v=1674037217"},{"product_id":"ruby-iii","title":"Emily Brookfield | RUBY III","description":"","brand":"Emily Brookfield","offers":[{"title":"Default Title","offer_id":44069148361002,"sku":"","price":290.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/RUBYIIIBYEMILYBROOKFIELD1.jpg?v=1674037879"},{"product_id":"luna-no-01","title":"Jedda Clay | LUNA NO. 01","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith a sense of something out of this world, the LUNA vase built in white raku clay and a black spotted gloss glaze, signals a celestial sculpture. A striking piece for your space finished with a watertight seal.\u003c\/span\u003e","brand":"Jedda Clay","offers":[{"title":"Default Title","offer_id":44069322555690,"sku":"","price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/LUNANO.01BYJEDDACLAY.jpg?v=1674041324"},{"product_id":"lyrical-breeze","title":"Chanel Sohier | LYRICAL BREEZE","description":"","brand":"Chanel Sohier","offers":[{"title":"Default Title","offer_id":44072114127146,"sku":"","price":790.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/LYRICALBREEZEBYCHANELSOHIER.jpg?v=1674077223"},{"product_id":"brought-me-to-my-knees","title":"Loralee Jade | BROUGHT ME TO MY KNEES","description":"","brand":"Loralee Jade","offers":[{"title":"Default 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Azzopardi","offers":[{"title":"unframed","offer_id":44501780496682,"sku":"","price":380.0,"currency_code":"AUD","in_stock":true},{"title":"framed","offer_id":44501780562218,"sku":"","price":825.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/GOULDIANFINCHSILKSCREENPRINTBYEDANAZZOPARDI.jpg?v=1674127846"},{"product_id":"australian-ibis","title":"Edan Azzopardi | AUSTRALIAN IBIS Silkscreen print","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eExplore the artistic aviary of Edan Azzopardi, a Melbourne-based painter whose lifelong love of native birds has led to an ongoing ornithological survey celebrating their colourful character.\u003cbr\u003e\u003c\/p\u003e","brand":"Edan Azzopardi","offers":[{"title":"unframed","offer_id":44242175426858,"sku":"","price":380.0,"currency_code":"AUD","in_stock":true},{"title":"framed","offer_id":44242175394090,"sku":"","price":825.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/AUSTRALIANIBISSILKSCREENPRINTBYEDANAZZOPARDI.jpg?v=1674127891"},{"product_id":"scarlet-robin","title":"Edan Azzopardi | SCARLET ROBIN silkscreen print","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eExplore the artistic aviary of Edan Azzopardi, a Melbourne-based painter whose lifelong love of native birds has led to an ongoing ornithological survey celebrating their colourful character.\u003cbr\u003e\u003c\/p\u003e","brand":"Edan Azzopardi","offers":[{"title":"unframed","offer_id":44501799010602,"sku":"","price":380.0,"currency_code":"AUD","in_stock":true},{"title":"framed","offer_id":44501799043370,"sku":"","price":825.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/SCARLETROBINSILKSCREENPRINTBYEDANAZZOPARDI4.jpg?v=1674127997"},{"product_id":"australian-magpie","title":"Edan Azzopardi | AUSTRALIAN MAGPIE Silkscreen Print","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eExplore the artistic aviary of Edan Azzopardi, a Melbourne-based painter whose lifelong love of native birds has led to an ongoing ornithological survey celebrating their colourful character.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Edan Azzopardi","offers":[{"title":"unframed","offer_id":44242186633514,"sku":"","price":380.0,"currency_code":"AUD","in_stock":true},{"title":"framed","offer_id":44242186699050,"sku":"","price":825.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/AUSTRALIANMAGPIESILKSCREENPRINTBYEDANAZZOPARDI3.jpg?v=1674128081"},{"product_id":"collecting-meat-and-putting-in-truck","title":"Jill Daniels | COLLECTING MEAT AND PUTTING IN TRUCK 68-22","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout Jill Daniels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e'I was thinking about painting in 2003, and I came to the Art Centre (Ngukurr Arts) to start painting then. I didn’t know how to paint, but my sister Amy taught me how to paint when I came to the Art Centre. I saw how she was doing the painting, and I started learning then, how to paint. I got some style from her, but after that I got my own style, different way. I got my own style then.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAbout Ngukurr Arts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNgukurr Art Centre sits a stone’s throw from the banks of the Roper River in Ngukurr, South East Arnhem Land. The Art Centre, like the town of Ngukurr, is unique – bringing together people of many different clans and language groups including Ngalakgan, Alawa, Mangarrayi, Ngandi, Marra, Warndarrang, Nunggubuyu, Ritharrngu-Wägilak and Rembarrnga. Together these clans are known as Yugul Mangi.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ngukurr Arts","offers":[{"title":"Default Title","offer_id":44120700158250,"sku":"","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/COLLECTINGMEATANDPUTTINGINTRUCKBYJILLDANIELS.jpg?v=1674802785"},{"product_id":"ganyu-stars-3301-20","title":"Ms N. Yunupiŋu | GANYU – STARS 3301-20","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGanyu – Stars\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eDjulpan\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e“Our father Munggurrawuy painted the story of Djulpan. This story is about seven sisters who went out in their canoe called Djulpan. During certain seasons they used to go hunting for food and always come back with different types of food. As you can see they would come back with turtle, fish ,freshwater snakes and also bush foods like yams and berries. They can now be seen in the sky of a night , seven stars that come out together like they are shown on the painting.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe stars come in season when the food and berries come out, the stars will travel through the sky during that month until the season is over and they don’t come out until the next season. They are the constellation called Plaiedes and they are being chased by three brothers (Orion). They sail over the Northern horizon and when they get home they light their fires. “\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eYolngu see a certain cloud shape that lets them know that it is alright to set the seasonal cleansing fires. These sisters (Plaiedes) hold the authority to light fires in their world first. Any early fires cause them to cry in unseasonal torrential downpours which put those unauthorised fires out. Historically, major fires\/dust storms\/volcanic smoke from Irian Jaya\/Indonesia have probably signalled to Yolngu that there is land to the North where the Djulpan sisters have their home.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eIn this collagraph Ms N.’s initial marks were made with a scaled up version of a marwat- a fine brush made from straight hair bound to a wooden stick with cotton thread. In this case Print Space worker Bitharr Maymuru fashioned a large brush and substituted torn strips of rag.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePlease note\u003c\/strong\u003e: Of this collection, one of each edition has been framed ready for purchase. If this work becomes unavailable, Brunswick Street Gallery are happy to organise framing with our framing partners.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePlease allow approximately 2-3 weeks for framing\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Ms N. Yunupiŋu (dec)","offers":[{"title":"Framed","offer_id":45738920608042,"sku":"","price":1450.0,"currency_code":"AUD","in_stock":true},{"title":"Unframed","offer_id":45738920640810,"sku":"","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/GANYU_STARS3301-20Nyapanyapa2.jpg?v=1675054508"},{"product_id":"ngaḏi-ga-guṉdirr","title":"Ms M Wirrpanda | ŊÄḎI GA GUṈDIRR 5819-22","description":"\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThis work is an outcome of a phase where the artist of her own motion explored lesser known plant species which she feared were being forgotten by younger generations. This coincided with artist John Wolseley’s interest in returning to Yilpara and the two spent an extended period exploring the botany of Blue Mud Bay. She wants to renew the knowledge of this plants because when she was young this is the food that she grew up on. In those days old people lived for a long time without illness.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThe project began when the two artists Mulkun Wirrpanda and John Wolseley were part of Djalkiri- We are Standing on their Names- a collaborative art project at Yilpara in 2009. Later Mulkun adopted John as her Wawa or brother, and gave him the name Langgurrk. They spent ten days together in the remote Blue Mud Bay region in Midawarr, the harvest season, when many of the little known root foods are ripe. Since then John Wolseley has journeyed to East Arnhem land each season, and the two have hunted rare plants, painted them; and eaten the unique tropical yams and tubers .\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eFrom the Yirrkala perspective the origin point of this show was Mulkun’s spontaneous expression of her conviction that her people are dying through their lack of attention to this knowledge. It was shortly after this statement that she and Wolesley came together over this joint mission.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eSince then Wirrpanda has been making a comprehensive series of barks, larrakitj and prints about the poorly recognised food plants of East Arnhem Land. They figure plants and trees of various kinds which live in the Yirrkala region. And since 2009 John Wolseley has also been making drawings, woodcuts and large works on paper about the same plants and landscape. A breakthrough moment was when John sent Mulkun some slabs of ancient Huon pine. She began to make these woodcuts most of which were later taken by John to his home studio in Victoria where he acted as her printmaker. This was the last block of wood which remained unused unƟl late in her life by which time she had moved on to the theme of meat ants Ŋäḏi living in the mounds guṉdirr of termites. This woodblock was printed by Sean Smith at his Melbourne studio but the edition was completed only after her death. It has been signed on the artist's behalf by her younger sister and fellow artist Muluymuluy Wirrpanda.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThis work was made using Chine-collé and woodblock.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eText courtesy of Buku-Larrnggay Mulka Centre.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eContact us for a framing quote.\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Unframed","offer_id":49210056016170,"sku":"","price":950.0,"currency_code":"AUD","in_stock":true},{"title":"Framed","offer_id":49210056048938,"sku":"","price":1450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/NGA_IGAGU_DIRRBYMSM.WIRRPANDA1.jpg?v=1676689896"},{"product_id":"wangupini","title":"Bulthirrirri Wunuŋmurra | WAŊUPINI 5817-22","description":"\u003cp class=\"\"\u003eWaŋupini (clouds) is the same story as my father taught me about the sunset. The sun is going down. The sunset on the clouds is like the red sails of the Makassan's ships leaving at the end of the season. We cry because the Makassans are leaving. The mokuy (spirit) is dancing and leaving - the body is dead and the sprit is going to Balambala.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis is Yirritja bäpurru (ceremony), the same as my Grandfather, Yaŋgarriny - this is his manikay (song)\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe sun will rise again.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Makassans will come back.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAnd the spirit will return.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMy father, who passed away, taught me this story. he taught me how to paint the story of Waŋupini.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eText courtesy of Buku-Larrnggay Mulka Centre.\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Framed","offer_id":45563120484650,"sku":"","price":880.0,"currency_code":"AUD","in_stock":true},{"title":"Unframed","offer_id":45563120550186,"sku":"","price":250.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/files\/1A7A5098.jpg?v=1689914727"},{"product_id":"lines","title":"Ms N. Yunupinŋu | LINES","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eN. Yunupinŋu’s work has been more valued for the spontaneity and texture of her hand. She expresses her capacity to live in the moment in the freeness of her mark making. There is no calculation or even regard for the audience in her renditions. Their final appearance is almost random. They are an expression of the movements of her hand, as they happen to have taken place on that particular day.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn early 2008 she made a dramatic departure from the previous conventions of Yolngu art. The grammatical tense which Yolngu sing\/paint\/discuss the creation forces that shape their world is unknown to non-Indigenous. Sometimes simplified as ‘Dreamtime’ in English it conveys a temporal union between prehistory, the present and the distant future. All of these time zones are happening simultaneously! This is the tense in which the creation events happened\/are happening\/will happen. All Yolngu art until this point was either sacred and in this tense or decorative. Decorative paintitngs were expressly ‘ordinary’ and without meaning or story of any kind.\u003c\/p\u003e\n\u003cp class=\"\"\u003eBut once prompted to treat the story of her almost fatal goring by a Buffalo in the seventies Ms N. Yunupinŋu threw these conventions over and unleashed a unique set of personal narrative paintings revolving around her own experiences. This subjective, individualistic and linear narrative construction was totally out of step with all previous Yolngu art. The first of these was so surprising it was entered in the 2008 Telstra NATSIAA Award. To bolster the chances of pre-selection an explanatory video was produced by the newly founded digital archive and studio attached to Buku-Larrnggay Mulka Centre, The Mulka Project. As it happened the video was completed after the bark had been accepted but the entry was varied to include the bark and video as a 3D installation. Another first was achieved when it won that prize in the Telstra Award.\u003c\/p\u003e\n\u003cp class=\"\"\u003eOn the night she received the prize she had a nightmare of the Buffalo and vowed never to paint the beast again. From here she evolved into works that initially showed the forest without the Buffalo and then simple abstraction.\u003c\/p\u003e\n\u003cp class=\"\"\u003eN. Yunupiŋu passed away in October 2021, this edition was signed by her sister Dela Munuŋgurr.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePrinted Sean Smith, November 2021\u003c\/p\u003e\n\u003cp class=\"\"\u003eText courtesty of Buku-Larrnggay Mulka Centre\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Framed","offer_id":45441629094186,"sku":"","price":735.0,"currency_code":"AUD","in_stock":false},{"title":"Unframed","offer_id":45441629126954,"sku":"","price":350.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/LINESBYMSN.YUNUPINNGU.jpg?v=1676691067"},{"product_id":"djapu-minytji-marrnyula","title":"Marrnyula Munuŋgurr | DJAPU MINY'TJI (MARRNYULA)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eMarrnyula has created the cross hatching grid pattern which is the sacred design for the freshwaters of the Djapu clan at their homeland Waṉḏawuy, now an outstation about 150 kilometres south of Yirrkala and inland from Blue Mud Bay. She is well known for making massive installations of hundreds of small barks to capture this effect but in this work creates the same feeling but on one print. Muṉguymirri means 'in small pieces'.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe grid refers to the landscape of Waṉḏawuy - a network of billabongs surrounded by ridges and high banks. Its structure also having reference at one level to woven fish traps. Ancestral Hunters who set a trap here to snare the Shark but to no avail.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAreas of the river are staked by the Yolŋu and branches interwoven through them. Then the water is polluted by a particular pulped bark that anaesthetises the Gaṉŋal (caƞish) that hobble to the surface. With nets constructed similarly to the the beak of Galumay the Pelican, the Yolŋu wade through the waters scooping up the fish. It has been fished since Ancestral times.\u003c\/p\u003e\n\u003cp class=\"\"\u003eGaṉŋal the caƞish, totem for the Djapu is ceremonially sung as is Galumay the pelican. Both these species frequent the waters of Waṉḏawuy.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMäna, the Ancestral Shark in its epic travels comes through this way. These ancestors try to trap Mäna in the freshwater by means of these traps in the waterways. They fail. The powers and physical strength of the Shark overcome the efforts of mere mortals. Mäna’s ire and thrashing tail smash the trap and muddy the water. They witness however the strength of Mäna and sing his actions, the thrashing of his tail for one, the muddying or contamination of the water.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAt ceremony appropriate participants for mortuary rites enter the shelter (woven together like the unsuccessful trap) where the deceased has been lying in state. Sacred spears tipped with stingray barbs, manifestations of Mäna’s teeth, stand up alongside the shelter. At the prescribed time at the conclusion of ceremony the dancers crash through the deceased’s shelter\u003c\/p\u003e\n\u003cp class=\"\"\u003eimitating the actions of Mäna at the trap. This action has reference to the release of the deceased’s soul, back to the sacred waters of Waṉḏawuy to be reunited with its ancestors awaiting rebirth.\u003c\/p\u003e\n\u003cp class=\"\"\u003eText courtesy of Buku-Larrnggay Mulka Centre\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44233070903594,"sku":"","price":550.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/DJAPUMINY_TJI_MARRNYULA_BYMARRNYULAMUNUNGGURR.jpg?v=1676691206"},{"product_id":"rapiny-gapu","title":"Ganybu Munuggurr | RAPINY GAPU 247-16","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis design is about freshwater at Wandawuy. The lines represent the freshwater and it belongs to Djapu Clan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eAt ceremony appropriate participants for mortuary rites enter the shelter (woven together like the unsuccessful trap) where the deceased has been lying in state. Sacred spears tipped with stingray barbs, manifestations of Mäna’s teeth, stand up alongside the shelter. At the prescribed time at the conclusion of ceremony the dancers crash through the deceased’s shelter imitating the actions of Mäna at the trap. This action has reference to the release of the deceased’s soul, back to the sacred waters of Waṉḏawuy to be reunited with its ancestors awaiting rebirth.\u003c\/p\u003e\n\u003cp class=\"\"\u003eText courtesy of Buku-Larrnggay Mulka Centre\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44233079161130,"sku":"","price":195.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/RAPINYGAPUBYGANYBUMUNUNGGURR1.jpg?v=1676691398"},{"product_id":"djulpan","title":"Dela Munuŋgurr | DJULPAN 802-21","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eThis story talks about the journey of the Seven Sisters. How they travelled from the islands (Yirritja) and landed at Dhuraka. On the way travelling from the islands, the sisters collected seafood and yams for their journey\u003c\/p\u003e\n\u003cp class=\"\"\u003eText courtesy of Buku-Larrnggay Mulka\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Framed","offer_id":45596934734122,"sku":"","price":815.0,"currency_code":"AUD","in_stock":false},{"title":"Unframed","offer_id":45596934766890,"sku":"","price":250.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/DJULPANBYDELAMUNUNGGURR1.jpg?v=1676691568"},{"product_id":"djarrakpi-70a-by-baluka-maymuru","title":"Baluka Maymuru | DJARRAKPI 70A 259-16","description":"\u003cp class=\"\"\u003eAs told by the artist:\u003c\/p\u003e\n\u003cp class=\"\"\u003e‘ln this print the waŋa (place) is Djarrakpi. This is what Djarrakpi looks like.\u003cbr\u003eThe Gulun (billabong) is called Gaŋaruŋu.\u003cbr\u003eThe sand dune is in the background.\u003cbr\u003eGuwak (Koel Cuckoo) sits in the tree, this tree is known as the Marawili tree.\u003cbr\u003eWayin (Guwak) is looking for the wind to blow from the Waŋupini (cloud).\u003cbr\u003eWe sing about waŋupini and the sand dune in ceremony.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThere is a special place called Garrparra close to the sea side.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe spears (gara) all belong to Yiŋapuŋapa (burial ground). The Madarrpa, Maŋgalili and Dhalwaŋu clans all share the Yiŋapuŋapu.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Maŋgalili are the buŋgawa (head person) for this ceremony.\u003cbr\u003eMy fathers Narritjin and Nanyin were the leaders and they gave that leadership to me.\u003cbr\u003eAfter seeing these drawings (Berndt crayon drawings) by my fathers I wanted to do a print so I too could draw Djarrakpi using this printing.’\u003c\/p\u003e\n\u003cp class=\"\"\u003ePrinted May 2008\u003cbr\u003eBerndt Etching\u003cbr\u003eFMP 70A\u003c\/p\u003e\n\u003cp class=\"\"\u003eText courtesy of Buku-Larrnggay Mulka\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44233090105642,"sku":"","price":295.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/DJARRAKPI70ABYBALUKAMAYMURU1.jpg?v=1676691796"},{"product_id":"ganyu-star-3663-20-by-ms-n-yunupingu","title":"Ms N. Yunupiŋu | GANYU – STAR 3663-20","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1676693043685_723\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003e“Our father Munggurrawuy painted the story of Djulpan. This story is about seven sisters who went out in their canoe called Djulpan. During certain seasons they used to go hunting for food and always come back with different types of food. As you can see they would come back with turtle, fish ,freshwater snakes and also bush foods like yams and berries. They can now be seen in the sky of a night , seven stars that come out together like they are shown on the painting.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe stars come in season when the food and berries come out, the stars will travel through the sky during that month until the season is over and they don’t come out until the next season. They are the constellation called Plaiedes and they are being chased by three brothers (Orion). They sail over the Northern horizon and when they get home they light their fires. “\u003c\/p\u003e\n\u003cp class=\"\"\u003eYolngu see a certain cloud shape that lets them know that it is alright to set the seasonal cleansing fires. These sisters (Plaiedes) hold the authority to light fires in their world first. Any early fires cause them to cry in unseasonal torrential downpours which put those unauthorised fires out. Historically, major fires\/dust storms\/volcanic smoke from Irian Jaya\/Indonesia have probably signalled to Yolngu that there is land to the North where the Djulpan sisters have their home.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn this collagraph Ms N.’s initial marks were made with a scaled up version of a marwat- a fine brush made from straight hair bound to a wooden stick with cotton thread. In this case Print Space worker Bitharr Maymuru fashioned a large brush and substituted torn strips of rag.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePlease note\u003c\/strong\u003e: Of this collection, one of each edition has been framed ready for purchase. If this work becomes unavailable, Brunswick Street Gallery are happy to organise framing with our framing partners.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePlease allow approximately 2-3 weeks for framing\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Framed","offer_id":45738787111210,"sku":"","price":1450.0,"currency_code":"AUD","in_stock":true},{"title":"Unframed","offer_id":45738787143978,"sku":"","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/GANYU_STAR3663-20BYMSN.YUNUPINGU.jpg?v=1676693291"},{"product_id":"ngaḏi-ga-guṉdirr-2957-20-by-mulkuṉ-wirrpanda","title":"Ms M Wirrpanda | ŊÄḎI GA GUṈDIRR 2957-20","description":"\u003cdiv class=\"product-excerpt\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1676693043685_723\"\u003e\n\u003cp class=\"\"\u003eThis work is an extension of a phase where the artist of her own motion explored lesser known plant species which she feared were being forgotten by younger generations. This coincided with artist John Wolseley’s interest in returning to Yilpara (after they had met during the Djalkiri project of 2010) and the two spent an extended period exploring the botany of Blue Mud Bay. John Wolseley spent a week at Yilpara with Mulkuṉ in May 2012 and again at Yirrkala in June 2013, June 2014 and then May and December 2015. The visits continued in 2016, 2017 and 2018.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMulkuṉ has been finding new ways to paint and promote nutritional plants that are no longer eaten widely. As a child there were very many healthy old people and now there are few. In those days old people lived for a long time without illness. She blames poor diet and the loss of knowledge.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 2017 accompanying Mulkuṉ and John Wolseley’s NMA show Miḏawarr | Harvest, the book of the same name was published with words by Mulkuṉ Wirrpanda (MW), Merrkiyawuy Ganambarr-Stubbs (MGS), Greg Leach (GL) and Glenn Wightman (GW).\u003c\/p\u003e\n\u003cp class=\"\"\u003eFollowing this theme she moved on to painting varieties of Maypal or shellfish and these were exhibited in a sold out show at Salon in Darwin in August 2018. This then morphed to a series of work where she painted shellfish which lived symbiotically with edible plants.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 2019 Wolseley and Wirrpanda collaborated on a show at Australian Galleries where she explored extended ideas of maypal which definition includes some larvae which bore into wood.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn this work she has continued with the concept of symbioses and in this case eusociality. She has depicted the relationship between munyukuluŋu Magnetic termites \u003cem\u003eAmitermes meridionalis\u003c\/em\u003e, or compass termite, a \u003ca href=\"https:\/\/yirrkala.com\/1\" title=\"Species\" tabindex=\"0\"\u003especies\u003c\/a\u003e of \u003ca href=\"https:\/\/yirrkala.com\/2\" title=\"Eusociality\" tabindex=\"0\"\u003eeusocial\u003c\/a\u003e insect in the family \u003ca href=\"https:\/\/yirrkala.com\/3\" title=\"Termitidae\" tabindex=\"0\"\u003eTermitidae\u003c\/a\u003e. It is \u003ca href=\"https:\/\/yirrkala.com\/4\" title=\"Endemism\" tabindex=\"0\"\u003eendemic\u003c\/a\u003e to northern \u003ca href=\"https:\/\/yirrkala.com\/5\" title=\"Australia\" tabindex=\"0\"\u003eAustralia\u003c\/a\u003e and the common names derive from the fact that the wedge-shaped mound is aligned with its main axis running north and south and ŋäḏi, Northern Meat Ants, Iridomyrmex sanguineus.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMulkuṉ painted these idiosyncratic termite mounds inhabited not by their makers but by their symbiotic partners the meat ant. This is an example of empirical observational Yolŋu knowledge. She paints it as common knowledge but an internet search reveals this to be scientific esoterica. When the harvest time comes it is common for women to gather large numbers of yams and to create a guṉdirr (ground oven) which is named after the fragments of termite mounds which would be placed on top of the large fire in a pit to retain the heat once it is covered with paperbark. This is the source of her knowledge.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis is one of the only Western academic surveys of the phenomenum;\u003c\/p\u003e\n\u003cp class=\"\"\u003eYamada et al. (2007): Mounds of the termite \u003cem\u003eAmitermes laurensis\u003c\/em\u003e in northern Queensland, Australia, are frequently invaded and occupied by the meat ant \u003cem\u003eIridomyrmex sanguineus\u003c\/em\u003e, but their interactions remain unclear. In 1999, 68 \u003cem\u003eA. laurensis\u003c\/em\u003e mounds that were mapped and examined for the presence of the meat ants in 1998 were studied by destructive sampling, and the occupancy percentages of the termites were compared during the 2 years of meat ant occupation. The results indicate that the occupancy percentages of the termites in the intact mounds (79%) are significantly different from those in the mounds that were occupied by the meat ants in 1998 (58%), 1999 (42%), or both (20%). Although the mean vales showed apparent differences, no significant difference was observed in the occupancy percentages among the latter three cases. Our results suggest that the meat ants are not lethal invaders of the termite mounds and that the recovery of the termite populations occurs after the meat ants abandon the mounds.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis work was made as a collagraph with a later overlay of screenprint.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePlease note\u003c\/strong\u003e: Of this collection of collagraphs, one of each edition has been framed ready for purchase. If this work becomes unavailable, Brunswick Street Gallery are happy to organise framing with our framing partners.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePlease allow approximately 2-3 weeks for framing\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Framed","offer_id":45738818306346,"sku":"","price":1450.0,"currency_code":"AUD","in_stock":true},{"title":"Unframed","offer_id":45738818339114,"sku":"","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/NGA_IGAGU_DIRR2957-20BYMULKU_WIRRPANDA.jpg?v=1676693522"},{"product_id":"ngaḏi-ga-guṉdirr-3667-20","title":"Ms M Wirrpanda | Ŋäḏi ga guṉdirr 3667-20","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"yui_3_17_2_1_1676693043685_723\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003eThis work is an extension of a phase where the artist of her own motion explored lesser known plant species which she feared were being forgotten by younger generations. This coincided with artist John Wolseley’s interest in returning to Yilpara (after they had met during the Djalkiri project of 2010) and the two spent an extended period exploring the botany of Blue Mud Bay. John Wolseley spent a week at Yilpara with Mulkuṉ in May 2012 and again at Yirrkala in June 2013, June 2014 and then May and December 2015. The visits continued in 2016, 2017 and 2018.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMulkuṉ has been finding new ways to paint and promote nutritional plants that are no longer eaten widely. As a child there were very many healthy old people and now there are few. In those days old people lived for a long time without illness. She blames poor diet and the loss of knowledge.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 2017 accompanying Mulkuṉ and John Wolseley’s NMA show Miḏawarr | Harvest, the book of the same name was published with words by Mulkuṉ Wirrpanda (MW), Merrkiyawuy Ganambarr-Stubbs (MGS), Greg Leach (GL) and Glenn Wightman (GW).\u003c\/p\u003e\n\u003cp class=\"\"\u003eFollowing this theme she moved on to painting varieties of Maypal or shellfish and these were exhibited in a sold out show at Salon in Darwin in August 2018. This then morphed to a series of work where she painted shellfish which lived symbiotically with edible plants.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 2019 Wolseley and Wirrpanda collaborated on a show at Australian Galleries where she explored extended ideas of maypal which definition includes some larvae which bore into wood.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn this work she has continued with the concept of symbioses and in this case eusociality. She has depicted the relationship between munyukuluŋu Magnetic termites \u003cem\u003eAmitermes meridionalis\u003c\/em\u003e, or compass termite, a \u003ca title=\"Species\" href=\"https:\/\/yirrkala.com\/1\" tabindex=\"0\"\u003especies\u003c\/a\u003e of \u003ca title=\"Eusociality\" href=\"https:\/\/yirrkala.com\/2\" tabindex=\"0\"\u003eeusocial\u003c\/a\u003e insect in the family \u003ca title=\"Termitidae\" href=\"https:\/\/yirrkala.com\/3\" tabindex=\"0\"\u003eTermitidae\u003c\/a\u003e. It is \u003ca title=\"Endemism\" href=\"https:\/\/yirrkala.com\/4\" tabindex=\"0\"\u003eendemic\u003c\/a\u003e to northern \u003ca title=\"Australia\" href=\"https:\/\/yirrkala.com\/5\" tabindex=\"0\"\u003eAustralia\u003c\/a\u003e and the common names derive from the fact that the wedge-shaped mound is aligned with its main axis running north and south and ŋäḏi, Northern Meat Ants, Iridomyrmex sanguineus.\u003c\/p\u003e\n\u003cp class=\"\"\u003eMulkuṉ painted these idiosyncratic termite mounds inhabited not by their makers but by their symbiotic partners the meat ant. This is an example of empirical observational Yolŋu knowledge. She paints it as common knowledge but an internet search reveals this to be scientific esoterica. When the harvest time comes it is common for women to gather large numbers of yams and to create a guṉdirr (ground oven) which is named after the fragments of termite mounds which would be placed on top of the large fire in a pit to retain the heat once it is covered with paperbark. This is the source of her knowledge.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis is one of the only Western academic surveys of the phenomenum;\u003c\/p\u003e\n\u003cp class=\"\"\u003eYamada et al. (2007): Mounds of the termite \u003cem\u003eAmitermes laurensis\u003c\/em\u003e in northern Queensland, Australia, are frequently invaded and occupied by the meat ant \u003cem\u003eIridomyrmex sanguineus\u003c\/em\u003e, but their interactions remain unclear. In 1999, 68 \u003cem\u003eA. laurensis\u003c\/em\u003e mounds that were mapped and examined for the presence of the meat ants in 1998 were studied by destructive sampling, and the occupancy percentages of the termites were compared during the 2 years of meat ant occupation. The results indicate that the occupancy percentages of the termites in the intact mounds (79%) are significantly different from those in the mounds that were occupied by the meat ants in 1998 (58%), 1999 (42%), or both (20%). Although the mean vales showed apparent differences, no significant difference was observed in the occupancy percentages among the latter three cases. Our results suggest that the meat ants are not lethal invaders of the termite mounds and that the recovery of the termite populations occurs after the meat ants abandon the mounds.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis work was made as a collagraph with a later overlay of screenprint.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-unselected-options='[\"framing\"]' data-animation-role=\"content\" data-variants='[{\"attributes\":{\"framing\":\"framed\"},\"optionValues\":[{\"optionName\":\"framing\",\"value\":\"framed\"}],\"id\":\"f280b745-cc9d-4c16-8e5c-fb5e137a9a7e\",\"sku\":\"SQ8417864\",\"price\":148000,\"salePrice\":0,\"priceMoney\":{\"currency\":\"AUD\",\"value\":\"1480.00\"},\"salePriceMoney\":{\"currency\":\"AUD\",\"value\":\"0.00\"},\"onSale\":false,\"unlimited\":false,\"qtyInStock\":1,\"width\":0.0,\"height\":0.0,\"weight\":0.0,\"imageIds\":[],\"images\":[],\"len\":0.0},{\"attributes\":{\"framing\":\"unframed\"},\"optionValues\":[{\"optionName\":\"framing\",\"value\":\"unframed\"}],\"id\":\"fbc844aa-54ef-4f5c-a170-95b536bcd99e\",\"sku\":\"SQ2681850\",\"price\":95000,\"salePrice\":0,\"priceMoney\":{\"currency\":\"AUD\",\"value\":\"950.00\"},\"salePriceMoney\":{\"currency\":\"AUD\",\"value\":\"0.00\"},\"onSale\":false,\"unlimited\":false,\"qtyInStock\":2,\"width\":0.0,\"height\":0.0,\"weight\":0.0,\"imageIds\":[],\"images\":[],\"len\":0.0}]' data-item-id=\"629838da589a111b440295d2\" class=\"product-variants\"\u003e\n\u003cdiv class=\"variant-option\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Framed","offer_id":45738856710442,"sku":"","price":1450.0,"currency_code":"AUD","in_stock":true},{"title":"Unframed","offer_id":45738856775978,"sku":"","price":950.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/NGA_IGAGU_DIRR3667-20BYMULKU_WIRRPANDA.jpg?v=1676693603"},{"product_id":"destiny-3191-20-by-mr-w-wanambi","title":"Wukun Wanambi (dec) | DESTINY 3191-20","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1676693043685_723\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMullet travelled from river to river, ocean to ocean, looking for their destiny. This is at Gurka’wuy. They also travelled to other various communities. We sing a song, and dance as well, to carry the tide of Gurka’wuy water, bringing the guya (fish) into the river, to Trial Bay. There is a place called Marraŋu, Golumala, they sing the song there, where the three rivers come together. The water is called Gudutja and they are looking for their destiny, just like you and I tracing our family tree on a computer, looking for our great, great grandfathers and grandmothers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44233110323498,"sku":"","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/DESTINY3191-20BYMRWWANAMBI.jpg?v=1676693849"},{"product_id":"mokuy","title":"Nawurapu Wunuŋmurra (dec) | MOKUY 75A 268-16","description":"\u003cp class=\"\"\u003e\u003cem\u003e‘This Print is About Mokuy (Spirit People).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen Yolŋu die the spirit goes to a place called Balambala at Gangan.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBoth spirits for Dhuwa and Yirritja go together.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSame for yindi Garma.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMain area both mokuy mix together for bungul at Garma. At Garma we blow the yidaki (didgeridoo) so Dhuwa and Yirritja mokuy get together.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe plants dance with Dhanbul (morning star) Yirritja dance with Yidaki and Yukuwa (yam).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eWhen I saw the Berndt crayon drawings I felt excited because I had to do this type of work for the first time representing sacred ground at Balambala (Gangan) for Yolŋu and Balanda (non-Yolŋu) to see both Yirritja and Dhuwa moiety together.’\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eBerndt Etching\u003cbr\u003eFMP 75A\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eText courtesy of Buku-Larrŋgay Mulka Centre\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44238258077994,"sku":"","price":295.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/MOKUYBYNAWURAPUWUNUNGMURRA_DEC_1.jpg?v=1676793035"},{"product_id":"wulthu-fishtrap","title":"Banduk Marika | WULTHU (FISHTRAP) 124-16","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eIn time past, Rirratjingu and Djambarrpuyngu people (Miliwurrwurr) and Bararrngu lived here at Yirrkala and also at Dhambaliya. This was their common ground for hunting. One of the projects of the time was building fish traps. When people today refer to hunting at Djawulpawuy (Mt Saunders) or Bremer Island (Dhambaliya) we are re-enacting this event through songs and dance.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis is a reflection of the people building their fish traps and the outcome of that was the fish being trapped in them and the people hunting and collecting them from it.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe also use Wulthu (fishtrap) as a metaphor – which was also used as a symbol by the old Yirrkala Dhanbul Council. The symbol represents when Yolngu refer to the old ways – we use the metaphor as keeping ideas in place and safe from outside influences.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePrinted Basil Hall Editions November 2016\u003cbr\u003eFMP 14U\u003c\/p\u003e\n\u003cp class=\"\"\u003etext courtesy of Buku-Larrŋgay Mulka Centre\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44238273052970,"sku":"","price":250.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/WULTHU_FISHTRAP_BYBANDUKMARIKA1.jpg?v=1676793725"},{"product_id":"morning-star","title":"Munuy’ŋu Marika | MORNING STAR","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eAs told by the artist:\u003c\/p\u003e\n\u003cp class=\"\"\u003e'The design shows Baṉumbirr (morning star ceremony) The ceremony comes from the string bags, when men prepare for a sacred ceremony, they sit under Rripipi \/ Ḏawu (ficus virens, Banyan tree) and sing. The name Rripipi aslo refers to a place where spirit people live. This large spreading shade tree occurs in monsoon forests, with white to purple edible fruit.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Baṉumbirr ceremony is performed in memory of member or close relatives of the Djapu Clans. The sacred ceremonial dharpa (wooden pole) called Guyu`un is decorated by men to use in the Baṉumbirr ceremony.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWhen we have Baṉumbirr ceremony a special name is used called Bukuwuṯ, it means giving. The yolŋu (people from N.E.Arnhemland) preform this giving through the Guyu`un (wooden pole) and Dhaŋthaŋ (feathered string), as the Mundhurr (the gift) it makes the Yolŋu manymak (feeling good) being presented through the Baṉumbirr ceremory.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAt sunrise when the morning star is still visible, the yidaki (didgeridoo) drone is heard it represents mokuy (spirit people) called all yolŋu together to dance the Ba]umbirr.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe djuŋgaya (ceremonial spokesperson) for the Djapu clan is always there, with the responsibility to give out the dhaŋthaŋ (feather string), possessing the yothu (child) relationship of the clan.\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44238301397290,"sku":"","price":250.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/MORNINGSTARBYMUNUY_NGUMARIKA3.jpg?v=1679530481"},{"product_id":"galumay-ga-ganngal","title":"Barayuwa Munuŋgurr | GALUMAY GA GANŊAL","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eAs told by the artist:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e‘This print is about the galumay (pelican) using Yolŋu fishing nets to hunt for ganŋal (catfish) in the waters around Wandawuy homeland. This is a freshwater story. Galumay and ganal are both good to eat so sometimes Yolŋu hunt the galumay as they are trying to catch the fish from the ganypuy (nets).’\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp id=\"yui_3_17_2_1_1676794732876_857\" class=\"\"\u003ePlease note: As this work has been printed on site at the Yirrkala Print Space, anomalies to the paper can be expected, such as registration cuts as shown in the image above. Registration marks are used to line up a screenprint design so each layer corresponds with the one before it.\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44238307066154,"sku":"","price":250.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/GALUMAYGAGANNGALBYBARAYUWAMUNUNGGURR2.jpg?v=1679530889"},{"product_id":"rulyapa","title":"Ruby Djikarra Alderton | RULYAPA 375-16","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'I have been printing this imagery for a few years now. It is the design of the water between Yirrkala and Bremer Island. It is my mother’s clan design – the Rirratjingu clan who are the traditional landowners for that water.' – \u003cmeta charset=\"utf-8\"\u003eRuby Djikarra Alderton\u003c\/span\u003e\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44238313357610,"sku":"","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/RULYAPABYRUBYDJIKARRAALDERTON.jpg?v=1679530851"},{"product_id":"gapirri-stingray-hiding-in-the-rock","title":"Dhalmula #2 Burarrwaŋa | GAPIRRI (STINGRAY HIDING IN THE ROCK)","description":"\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis print depicts two gapirri (sting ray) in the water. They are hiding by burying themselves in the sand. The gapirri have white and black flecks on their skin so they look like the sand and broken coral. This story is important to me as the gapirri is my totem.' – \u003cmeta charset=\"utf-8\"\u003eDhalmula #2 Burarrwaŋa\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Buku-Larrŋgay Mulka Centre","offers":[{"title":"Default Title","offer_id":44238319845674,"sku":"","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/GAPIRRI_STINGRAYHIDINGINTHEROCK_BYDHALMULA_2BURARRWANGA.jpg?v=1676795448"},{"product_id":"untitled-122-22","title":"Amy Johnson | UNTITLED 122-22","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eAnimals from Ngukurr\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eAbout Amy Johnson\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAmy Jirwulurr Johnson is a contemporary artist from South East Arnhem Land at Ngukurr, situated on the banks of the Roper River. She has historically worked through Ngukurr Art Centre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAbout Ngukurr Arts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eNgukurr Art Centre sits a stone’s throw from the banks of the Roper River in Ngukurr, South East Arnhem Land. The Art Centre, like the town of Ngukurr, is unique – bringing together people of many different clans and language groups including Ngalakgan, Alawa, Mangarrayi, Ngandi, Marra, Warndarrang, Nunggubuyu, Ritharrngu-Wägilak and Rembarrnga. Together these clans are known as Yugul Mangi.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ngukurr Arts","offers":[{"title":"Default Title","offer_id":44241480384810,"sku":"","price":430.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/UNTITLED122-22BYAMYJOHNSON3.jpg?v=1676862105"},{"product_id":"untitled-44-18","title":"Amy Johnson | UNTITLED 44-18","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eAnimals from Ngukurr\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eAbout Amy Johnson\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAmy Jirwulurr Johnson is a contemporary artist from South East Arnhem Land at Ngukurr, situated on the banks of the Roper River. She has historically worked through Ngukurr Art Centre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAbout Ngukurr Arts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eNgukurr Art Centre sits a stone’s throw from the banks of the Roper River in Ngukurr, South East Arnhem Land. The Art Centre, like the town of Ngukurr, is unique – bringing together people of many different clans and language groups including Ngalakgan, Alawa, Mangarrayi, Ngandi, Marra, Warndarrang, Nunggubuyu, Ritharrngu-Wägilak and Rembarrnga. Together these clans are known as Yugul Mangi.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ngukurr Arts","offers":[{"title":"Default Title","offer_id":44241492869418,"sku":"","price":430.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0678\/0374\/2506\/products\/UNTITLED44-18BYAMYJOHNSON1.jpg?v=1676862326"},{"product_id":"untitled-305-21-by-joyce-huddleston","title":"Joyce Huddleston | UNTITLED 305-21","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e'These flowers grow around Ngukurr. I love painting flowers.' – Joyce Huddleston\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eAbout Joyce Huddleston\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoyce has had no formal art training – her natural style is at times gentle and reflective, presenting images of whirlpools in billabongs and country wildflowers.  She has developed her style from a passion for colour and from watching her elders paint. The Huddleston family name has long been associated with talented artists, and many in Joyce’s family, including her mother Gertie Huddleston, have achieved major recognition for their work. Joyce has been painting at Ngukurr Arts since 2000 and travels out to her Mother’s Country to reconnect with her culture and stories and to find inspiration for her work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eAbout Ngukurr Art Centre\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eNgukurr Art Centre sits a stone’s throw from the banks of the Roper River in Ngukurr, South East Arnhem Land. The Art Centre, like the town of Ngukurr, is unique – bringing together people of many different clans and language groups including Ngalakgan, Alawa, Mangarrayi, Ngandi, Marra, Warndarrang, Nunggubuyu, Ritharrngu-Wägilak and Rembarrnga. 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